Moët and Chandon with Porn Stars (SNL)

http://www.veoh.com/watch/v45933151sbsQsZxE

Damn, SNL nails the mindbogglingly insane and annoying way “certain” porn stars speak. If you don’t believe people actually talk this way, this is approximately 25% of the people Howard Stern interviews on his show. Stern’s a great interviewer, but I can’t stand listening to him talk to people who ignore 30% of their consonants and speak ver-rr-ry de-lib-er-ate-ly. Featuring Cecily Strong, Vanessa Bayer, and Justin Timberlake. One of the best SNL skits I’ve ever seen.

When Whitney Met Serge (1986) … the infamous meeting between Whitney Houston and Serge Gainsbourg

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This is the infamous French TV clip when Whitney Houston appeared with the legendary (and whiskey soaked) French singer-songwriter Serge Gainsbourg on a talk show. Gainsbourg drunkenly … but clearly … describes what he wants to do with Whitney … in English. Whitney actually handled herself quite well, considering. Definitely one of the creepiest … and funniest … TV moments ever!

Louis C.K. interview with Marc Maron (from Marc Maron’s WTF Podcast, May 2011)

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Can an interview be art? If there were ever a case to be made for this proposition, I would present Marc Maron’s two-part, nearly two-hour interview with comedian Louis C.K. as Exhibit A.

To say Louis C.K. is one of the most brilliant stand-up comedians of all time is an understatement. Mainly because what Louis C.K. does goes beyond comedy. Louis C.K.’s routines and especially, his groundbreaking TV show “Louis,” go much deeper than mere laughs. Unlike most comedians who are deathly afraid of any moment that strays from comedy, if there’s a dramatically real moment that doesn’t contain a laugh, Louis C.K. lets the drama play out, sans laughter. Granted, comedy is the basis for a lot of this journey. But in the work of Louis C.K., it’s less about the laugh than getting to an emotional truth. Arguably, in this respect, he’s the one of the few comedians who has come close to equaling the brilliance of Richard Pryor.

A brilliant stand-up himself and a lifelong friend of Louis C.K.’s, Maron deeply explores the evolution of Louis C.K.’s comedy and art. Much of the interview is funny, but much of it is also dramatically compelling, especially towards the end, when Maron and Louis C.K. try to resolve the bad blood between them. It’s clear that they are lifelong friends who love each other deeply, but also have a great deal of hurt between them. If you have a dry eye by the end of this, you’re not human.

This interview has become legendary and it’s one of the most fascinating and entertaining looks at the interior life of an artist, guided by someone who obviously cares, respects, and appreciates how this artist developed over several years.

And, if you’re impressed by this interview, you absolutely need to check out Maron’s WTF podcast, widely considered one of the best podcasts of all time. I just discovered Maron through his terrific interview with Howard Stern earlier this week and I’ve spent the last few days catching up with his brilliant podcast. If you like what you hear on this interview, download this two part interview from iTunes. It does cost $3.98, but this is a bargain, considering it’s as good if not better than most movies I’ve seen in the last 10 years. I know I will listen to it for years to come.

http://www.wtfpod.com/

Marc Maron on “The Howard Stern Show” 5-1-2013

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One of THE best interviews I’ve heard in a long time, if not ever, is Howard Stern’s interview with comedian and podcaster Marc Maron. Maron is getting a lot of attention these days due to a terrific new book that just came out (“Attempting Normal”), a new IFC series (“Maron”), and host of, arguably, one of THE best podcasts of all time (“WTF with Marc Maron”).

Maron’s podcast “WTF” is required listening if you’re a fan of comedy, film, and underground culture as Maron is one of the best interviewers around. So it should come as no surprise that his interview with Howard Stern (another great interviewer) would result in one of the most compelling near-hours I’ve heard in a long time. Maron is quite frank about how his anger and bitterness over the years towards his more successful friends (Jon Stewart and Louis C.K.) burned a lot of bridges personally and professionally.  His tales of partying with Sam Kinison back in the day are harrowing and hilarious. Well worth checking out, but lots of bad language so not safe for work.

And if you like what you hear, check out Maron’s podcast, which can be located at the iTunes store or at his website:

http://www.wtfpod.com/

Again … simply amazing stuff.

Vic Ferrari … Man of Action!

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One of my favorite TV characters was Andy Kaufman’s sweet, but clumsy Eastern European garage mechanic Latka Gavras on the the terrific late 1970s/early 1980s situation comedy “Taxi.” One of my favorite arcs on the show was when Latka, frustrated with his lack of success with women, started reading Playboy magazine. Latka not only buys the Playboy philosophy hook, line, and sinker, but transforms completely into the smug, hip 1970s ladies man Vic Ferrari.

This clip is not the best quality but it’s still watchable.

A certain kind of horrible boss … as seen in the BBC version of “The Office”

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The original BBC version of “The Office,” with Ricky Gervais, is one of the best TV series ever created.  While the American version with Steve Carrell is very good, it gingerly avoids the darkness that makes the British version arguably funnier … and much more painful to watch.  Carrell’s Michael Scott may be a pathetic, delusional human being, but his character is nowhere near as pathetic or delusional as Gervais’s David Brent.  And unlike Scott, Brent pays dearly for his delusions and the BBC version doesn’t let you off with a laugh at Brent’s expense.

I could talk in detail about how great the BBC version is, but I won’t.  Mainly because I have nothing to add to the many brilliant things already written about it.   However, the reason I’m talking about it now is how “The Office” brings to light a certain kind of horrible boss that we all know about, but until “The Office” (BBC version) so clearly articulated it, was hard to define.  When people think of horrible bosses, most people would identify the obvious tropes: the yellers/screamers, the micromanagers, the sexual harrassers, the bigots, the homophobes, the religious fanatics, the anti-religious bigots, the smarmy passive-aggressive types (best exemplified by Gary Cole’s Lumbergh character from “Office Space”), etc.  Yes, all of these types sadly still exist and admittedly, are probably worse than the type of boss that Brent represents.

Yet, Brent epitomizes what I call the “disengaged boss.”  A “disengaged boss” is not necessarily a bad person (though sometimes they are).  They are bosses who tend to be either severely distracted (either by drama outside of work or other activities) and/or have no interest at all in actually leading.  They may have an interest in being “the boss” because the job pays more, the job holds more prestige, and it may lead to something that pays even better and has more prestige.   But they care little about the people below them.  By not being aware of what their employees are doing, they’re unaware of situations that could explode into crises, they don’t performance manage employees that stray – leading to resentment from those that don’t, and they have no idea of what the people below them actually contribute and what their strengths are.   When the disengaged boss is called out on it (usually by their superiors), they overcompensate by either micromanaging some situation that’s within their control (usually something insignificant), or they completely misread the situation (because they barely know what’s going on) and make things significantly worse.

Sometimes, these people bill themselves as a “fun boss,” which I’ve learned is a red flag.  People are either fun or they’re not.  The sense of fun that emanates from a naturally fun person comes from how they look at life and how they engage people, not from elaborately-planned “theme” activities, which seem more like work than the actual job you’re hired for.  If someone is trying that hard to have “fun,” they’re overcompensating for something they so clearly lack and trust me, they hate themselves.

This is a very bad type of boss and because these people are technically “in charge,” they’re given the benefit of the doubt far more often the employees who work for them.  Sadly, many of these employees either move on or are so demoralized by the time this type of boss is figured out, it takes lots of money and time to repair the damage that has been done by such people.

How do I know so much about this type of boss?  Because I was this kind of boss… to a certain degree.  Not as bad as Brent, but as much as I love the BBC version of “The Office,” I’ve only been able to watch it once … because it brings back too many bad memories.  Back in college, I became a DJ and “Director of Special Programming” for one of the campus radio stations.  Because I had a lot of enthusiasm and “can-do” attitude, the outgoing leaders felt I would make a good President and General Manager and encouraged me to run for the slot.  Being a sucker for flattery, I ran unopposed and got the position.  I was head of a campus organization that had between 40-50 members and yes, my 21-year old self felt like a real big shot.  Until … that is … I realized I not only had no idea what I was doing, but that I had no interest at all in doing the work of actually managing a group of 40-50 people.  Worse, I had no vision for what I planned to do to move the station forward in the year I was going to be in charge.  The fact that I ran unopposed should have clued me in to the fact that this was a very tough job no one else wanted.  At this point, if I had been smart, I should have seized this opportunity, given it a really strong try, and while I may not have always been successful, my heart would have been in the right place and I would have known I had done my best.

But I didn’t.  I retreated.  Even worse, I wanted everyone to like me and as everyone knows, when you try to please everybody, you please no one.  This was the worst type of approach with the leaders I led.  They were all good people, but many of them had VERY strong personalities, oftentimes in opposition to each other.  Getting all of these types of people swimming in the same direction would be a difficult task for any leader, but my approach, a combination of disengaging or trying to make everyone happy, was the worst possible combination.  Even worse, when I felt like had to be a “leader,” I overcompensated by micromanaging or browbeating.  I’m sure it’s no surprise that this approach did no good.

I could relate individual instances of incompetent leadership displayed by yours truly, but I won’t.  Not because I’m too prideful.  But because 99% of them are too banal and boring and not catastrophic enough to be awful/funny.  The best they would elicit is an eye roll, but most likely they would evoke “zzzzz”s.  They’re not even good enough for the reject bin for “Curb Your Enthusiasm.”  Except one incident does stand out.  Someone from the yearbook wanted to interview me and during the interview, I don’t think I provided a single intelligent answer to any question she asked.  They were softball questions and my answer to most questions were “Um, I’ll need to get back to you on that.”  It’s not that I didn’t know the answer.  It’s just that I only knew about 60% of what I was supposed to know … because I was THAT disengaged.

The one bright spot is that this horrible year happened when I was 21-22 years old.  This was while I was in school with no responsibilities other than my classes and yes, this leadership “job” I volunteered for and the people under me were not earning income and depending on me for survival.  Having this experience at the age of 35, married with kids, a mortgage, car payments, and with people who earn their living off of how I deal with them would have been considerably worse.  And yes, karma bit my ass good later in life by having a couple of bosses that were just like me and yes, it sucked … big time.

There have been managers and leaders I’ve had over the years that have been magnificent in their jobs, mainly because I felt they cared about me, knew what I was doing (without micromanaging), and supported me in what I wanted to do.  These actions of support made me want to make them look better.  I had their back because I knew they had my back.

I want to close by asking any one out there who’s thinking of going into management or leadership to really think about why you want to do it.  You don’t have to like or love what you do every day or even like or love all of the people that work for you.   And it’s OK to feel unsure or scared about whether you’ll make a good leader.  People should challenge themselves and stretch beyond their comfort zones.  But if you’re only taking a leadership position because of the prestige or extra pay, trust me when I say that you’re going to earn every penny … and you will probably find yourself shortchanged, especially given the personal hell you, your family, and your employees will go through.

“Norman … Is that You?” (1976) dir. George Schlatter

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I was browsing the Warner Archive channel on my Roku box and watched a Redd Foxx film from 1976 called “Norman, Is That You?” Foxx plays a distraught cuckold who goes to visit his son, unaware that his son is gay and is living with another man. Foxx’s character eventually figures it out and as you can guess … considering the character is played by Foxx … is initially not supportive. Though, eventually, in his dumb, clumsy, old-school way, he comes to understand his son and accept him.

It’s not a particularly great film, horrendously politically incorrect (his son’s boyfriend is the absolute worst screaming queen stereotype) but the movie is actually quite funny a lot of the time, mainly due to Foxx, who is an absolute comic genius. Despite the film’s political incorrectness, it’s also remarkably progressive, especially given the fact that it was made in 1976. You can check it out the link above or watch it on the Warner Archive app on Roku.

Best scene: Foxx goes to a bookstore to find books about homosexuality. Some wiseass puts a copy of Woodward and Bernstein’s “All the President’s Men” in the section about homosexuality, which prompts Foxx’s anguished conclusion: “All the President’s Men? I should have known!”

“The Bad News Bears” (1976) dir. Michael Ritchie, scr. Bill Lancaster

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It’s Little League season and what better time than to reexamine “The Bad News Bears.” I could be wrong, but I believe “Bears” is the first film of the genre where a group of young misfits and their flawed coach are thrown together on a sports team, and against all odds, achieve success and self-esteem. However, given the rather slipshod and crappy nature of most of the films in this genre since the release of “Bears” in 1976, it’s easy to discount what a remarkable … and frequently dark … film it truly is.

At the time “Bears” came out, it was controversial because the kids in the film casually use profanity. However, nowadays, the profanities seem positively “nuclear,” especially given the racial slurs uttered by the short and misanthropic Tanner Boyle, who at one point is noted for taking on the entire 7th grade in a fight. If you want a clear indication of how times have changed, just watch the trailer located above. Keep in mind, this is merely the TRAILER … for a PG-rated film! … and the racial slurs are just right out there like cheese on a burger. The words in the trailer alone would result in lawsuits these days. Back then, it was used as a “selling point.” The times have indeed changed. As a result, if you’re particularly sensitive about such things or are watching this work, do not watch this link.

Now that we’ve all acknowledged the elephant turd in the room, let’s move on and really examine what makes this film remarkable. First of all, “Bears” contains one of Walter Matthau’s greatest performances, playing the alcoholic, misanthropic former minor-league player Morris Buttermaker. Buttermaker is hired to coach the Bears, a team created as the result of a lawsuit because badly-skilled players were excluded from playing in a particular league. Matthau’s character may have a mild redemptive arc towards the end of the film, but he’s a crafty enough actor not to let it seem that obvious. In other words, you don’t get the sense Buttermaker becomes THAT much of a better person at the end, meaning he’ll probably continue to drink heavily and be a major SOB.

Sadly, you don’t get the sense Buttermaker will be the father figure to Tatum O’Neal’s character Amanda Whurlizer that she desperately needs.  Amanda is the daughter of one of Matthau’s former girlfriends and when they were together, Buttermaker trained her to be an amazing pitcher.  Buttermaker puts her on the team as a “ringer” to help the Bears start achieving wins.  Amanda has a tough, wise-ass exterior, but it’s obvious that it’s just a mask for a girl who wants a father.  During one heartbreaking scene (located at the clip below), Buttermaker spurns Amanda’s attempts to get closer to him.  In a Hollywood film of today, you expect him to come around at the end of the film.  But alas… it’s never clear what role Buttermaker will pay in her life at the end.

Also remarkable is the performance by Vic Morrow as the coach of the Bears’ chief rivals, the Yankees. Morrow positively nails the hyper-competitive type of person who lives vicariously through the achievements of their children, in this case, Morrow’s son, the pitcher. There’s a particularly disturbing scene where Morrow orders his son to walk a Bears player, because the player is the one hitter his son cannot overcome. His son wants to actually try and intentionally throws a beanball, which almost strikes the Bears player in the head. Morrow slaps his son and Morrow’s son retaliates by pitching an intentionally easy ball, catching it, and holding onto it while the Bears player scores a home run, even while his teammates tackle him to retrieve the ball. After the run is scored, Morrow’s son gets up, silently drops the ball at his father’s feet, and walks off the field. An immensely dark and powerful scene in a film that’s otherwise billed as a “comedy.”

“Bears” is not only THE best film of that disreputable “kids and sports” genre, but one of the best sports films ever made, period … even with the casual and unfortunate racial slurs mentioned earlier.

On a personal note, this was the first PG-rated film I ever saw.  My mom took my brother and me to see it the weekend it came out and after the first 5 minutes, I swear I saw my mom bury her head in her hands.  The beginning of many such moments …

Phone Sex TV Ads from the 1980s/1990s

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I may be a sicko, but there’s nothing funnier than what a previous generation thought was sexy … especially when said “sexy time entertainment” is not particularly intelligent or sophisticated. Unless of course you’re turned on by Aqua-Net drenched, silicon-packed “ladies” reading off cue cards ve-ry de-li-ber-ate-ly, while really bad sub-Kenny G saxophone music plays in the background.

Disclaimer: Please do not call any of these numbers. I have no idea if any of these numbers are still valid as some of them are over 20 years old. I sincerely hope they’re not. I’m sure all of these numbers were legitimate at some point, but many of these types of numbers were run by con men ready to add all kinds of “processing fees” to your bill and you were lucky if the “ladies” you spoke to were actual females.  While there’s no nudity or bad language in these ads, you’re an idiot if you think this is safe for work.