Robin Williams interview with Marc Maron (WTF Episode 106)

http://www.prx.org/p/63067

Another brilliant interview from Marc Maron from his stellar “WTF” podcast.  This time, Maron interviews legendary comedian and Oscar-winnning actor Robin Williams (the interview took place sometime in 2011) and it’s the best interview I’ve ever experienced with Williams.  It’s been popular to bash Williams the last several years for the overuse of the manic schtick which made him famous.  Which, if truth be told, has not been entirely unfair.

But seriously, forget all those things you think you hate Robin Williams for.  In this interview, you get none of the manic schtick that’s been de rigeur for Williams for over 30 years.  And Williams still absolutely f–king kills!  Maron and Williams sound like two smart old friends shooting the s–t about all kinds of topics: addiction, the art of comedy, fellow comedians, etc.  Like most of Maron’s interviews, the interview flows like two jazz musicians riffing off each other.  It’s like eavesdropping on a conversation between two incredibly cool people where you can’t even imagine interrupting, because doing so would interrupt the conversational magic taking place.  An amazing hour.

Moët and Chandon with Porn Stars (SNL)

http://www.veoh.com/watch/v45933151sbsQsZxE

Damn, SNL nails the mindbogglingly insane and annoying way “certain” porn stars speak. If you don’t believe people actually talk this way, this is approximately 25% of the people Howard Stern interviews on his show. Stern’s a great interviewer, but I can’t stand listening to him talk to people who ignore 30% of their consonants and speak ver-rr-ry de-lib-er-ate-ly. Featuring Cecily Strong, Vanessa Bayer, and Justin Timberlake. One of the best SNL skits I’ve ever seen.

Why Cinema’s Conversion to Digital May Not be the Best Idea …

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I have mixed feelings about how much of our media is being digitized these days. While I love my Amazon Kindle, love Netflix and Hulu Plus, love my Amazon Cloud Player, etc., there is a danger in trusting that elusive “cloud” to hold everything the way you like it. First of all, a “cloud” is always owned by someone else. And once you give up control to another outside force, you are totally at their mercy … despite their reassurances about how they’ll never go out of business, never be obsolete …

The conversion from film to digital (with no options) is sadly, the wave of the future. However, this story about how one year’s work on “Toy Story 2” was almost gone in less than a minute should give pause to anyone who totally embraces a digital future. Just because digital is not a physical medium doesn’t mean that it’s not fragile. This is the future, folks.

“I Don’t Care About You” – Fear

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Holy mackeral! This song damn near defined my 9th grade year in junior high. To my immature ears, this was the angriest, coolest, and funniest song I’d ever heard. Though, crazily enough, I actually first heard this song in the cheesy 1983 horror film “Nightmares.” In that film, Emilio Estevez played a video game addict who played this song constantly in his headphones. In retrospect, that was the ONLY thing I remembered about that otherwise s–tty movie.

When a friend of mine played it for me a year later on a punk compilation he had copied, I freaked out like that blind guy in the 1931 Fritz Lang film “M” when he heard the serial killer humming “In The Hall of the Mountain King.” I later learned the band who did this was Fear. … who I later saw in several infamous and legendary clips on the punk TV show “New Wave Theater” … and whose lead singer Lee Ving had pivotal acting roles in several mid-1980s films (“Flashdance,” “Streets of Fire,” “The Wild Life,” “Clue”) … and who I later learned was one of John Belushi’s favorite bands before he died (Fear plays a VERY pivotal role in the final third of the infamous Bob Woodward biography of Belushi “Wired”).

Guns n’ Roses later covered this on their 1993 album “The Spaghetti Incident”.

A totally rude and nasty classic!!! From Fear’s 1982 album “The Record.”  Due to multiple f-bombs, not safe for work.

When Whitney Met Serge (1986) … the infamous meeting between Whitney Houston and Serge Gainsbourg

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This is the infamous French TV clip when Whitney Houston appeared with the legendary (and whiskey soaked) French singer-songwriter Serge Gainsbourg on a talk show. Gainsbourg drunkenly … but clearly … describes what he wants to do with Whitney … in English. Whitney actually handled herself quite well, considering. Definitely one of the creepiest … and funniest … TV moments ever!

“People are Strange” / “Strange Days” – The Doors

To say that these are my two favorite Doors songs seems obvious given the name of this here blog/website.  But these short, sweet, and infinitely weird / complex Doors songs sum up what’s best about Jim Morrison’s legendary band without the girth that makes many mortals fall asleep.

Both are from the Doors’ 2nd album “Strange Days” released in 1967.  “Strange Days” was also the title of my favorite Kathryn Bigelow film, which I discussed earlier on Dave’s Strange World.

People Are Strange:

Strange Days:

“Z Channel: A Magnificent Obsession” (2004) dir. Alexandra Cassevetes

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Z Channel was a Los Angeles-based cable-TV movie channel that was active during the 1970s and 1980s. What made Z Channel different from HBO, Showtime, and other popular movie channels at the time was their eclectic programming and willingness to show films no one else was showing on television, cable or otherwise. The programmer, a man by the name of Jerry Harvey, was a hardcore cinephile and was diligent about tracking down the most obscure cinematic gems.  His intelligence, intensity, and diligence impressed (and sometimes annoyed) a lot of filmmakers, studio executives, and other creative types in Hollywood.

Z Channel was incredibly popular with the creative community in Hollywood.  Harvey was so well-respected, he was able to get the rights to show Woody Allen’s “Annie Hall” during the 1977 Oscar season (while it was still in many theaters) which arguably led to its multiple Oscar nominations and wins.  He also championed Oliver Stone’s “Salvador,” which also led to its critical resurgence and subsequent Oscar nominations in 1986.  However, Harvey’s most important legacy was the promotion of the so-called “director’s cut” and “letterboxing,” which preserved the widescreen composition of films for viewing on non-widescreen TVs.  In 1983, he showed the original director’s cut version of Michael Cimino’s “Heaven’s Gate,” a film many considered a notorious flop, but a film that Harvey felt was a great film undermined by studio tinkering and the director’s own insecurity after the original director’s cut was severely criticized.  This led to premiering Bernardo Bertolucci’s 5 1/2 hour European (and in America, X-rated) director’s cut of his classic “1900,” as well as the European cut of Luchino Visconti’s masterpiece “The Leopard.”

Despite the professional respect he won by many in the creative community, Harvey was a very, very troubled man.  He eventually shot and killed his second wife, before committing suicide in 1988.

“Z Channel: A Magnificent Obsession” is a great documentary not only about Z Channel and the early days of cable TV, but of Harvey himself.  It was directed by John Cassevetes’ daughter Alexandra Cassevetes and contains interviews with Quentin Tarantino, Robert Altman, Paul Verhoeven, Vilmos Zsigmond, Henry Jaglom, Jacqueline Bisset, Alexander Payne, Jim Jarmusch, Theresa Russell, James Woods, Penelope Spheeris and many, many other directors, screenwriters, and actors who testify about the importance and influence of Z Channel.

While a lot of it is sad, the documentary is an orgy for film buffs, with lots of great clips and interviews.  This is one of my desert island films.