Dave’s Underrated Albums … “News of the World” (1977) by Queen

During the winter of 1977-1978, I was 8-years-old and my American peers and I considered Queen’s double A-side single of “We Will Rock You / We Are The Champions” the most awesome one-two punch on the pop charts of all-time.  Yes, with nearly 40 additional years on the planet and a more thorough understanding of pop music history, I’ll admit this assertion may have been more than a little premature.  But hearing these songs back to back on the radio during that winter was quite the event for yours truly.

What’s interesting is that when I bought the single, I was only interested in “We Are The Champions” because on most Top 40 stations, that’s all you typically heard.  But … on the “super-heavy” FM stations … “We Will Rock You” always preceded “We Are the Champions” and one night when the car radio happened to be on one of these stations, I heard “We Will Rock You” for the first time, completely unaware it was performed by Queen.  Thanks to my brother, I was already a KISS fan, but “We Will Rock You,” I concluded, was the “heaviest” thing I’d ever heard at that point.  I had no idea what this song was called (or even that Queen performed it … FM DJ’s tended to be very casual about mentioning what they were playing back then), but it was something that completely knocked me off my feet.

Back to “We Are The Champions.”  Getting the single wasn’t an easy task.  I typically spent my $1 per week allowance on a 45-RPM single and every time I went to a record store during that winter, “We Are The Champions” was always sold out.  After multiple weeks of heartbreak, I started calling every record store within a radius of where my Mom would drive me, and asked … daily … if they had any copies in stock.  I finally hit pay dirt in February of 1978, begged my Mom to drive me to a record store that was a little bit farther than she typically drove, and finally acquired the record.  I enjoyed “We Are The Champions” but noticed that the B-side (which I rarely ever played back then) was something called “We Will Rock You.”  Somehow, the synapses in my brain connected and flipped the record over.  And yes, finally, I found the song I loved so much … and even better … I didn’t have to pay extra for it.  My 8-year-old brain had a mental orgasm.

Next task … getting the album where these songs resided.  At some point that spring, my grandparents gave me $5 for either good grades or some other reason and with some additional allowance money I hadn’t miraculously spent, I was able to purchase Queen’s “News of the World.”  This was literally the first rock album I ever acquired.  Yes, I had other albums, but mostly they were recorded by someone named Barry Manilow, who never amounted to much and a singer I’d rather not talk about … ever … especially songs like “Weekend in New England,” “Mandy” “Could This Be Magic?” … Seriously … Those records never existed … especially in my collection … MMMKAY?

So … back to “News of the World” … I wasn’t sure what I was expecting back then, but none of the other songs sounded like “We Are The Champions” or “We Will Rock You.”  There was one hard rock song called “Fight From the Inside” that I liked a lot.  There was also another “heavy” song called “Sheer Heart Attack” which was too loud and fast for me then.  And there was also a really weird, disturbing (to me at the time) song called “Get Down, Make Love.”  But other than that, I thought it was a mixed bag of tunes and I was so disappointed, I didn’t make it past the first song on Side 2.  I was disappointed because it wasn’t like a KISS record, concluded that I should have spent that money on a KISS record my brother didn’t already have or a Barry Manilow record … NO, dammit … I didn’t just say THAT!

Cut to 1991 … I’m in college and working at a campus radio station.  We receive a new CD-single by Nine Inch Nails which has a cover of Queen’s “Get Down, Make Love” as its B-side.  By this point, I’d nearly forgotten about Queen’s song, but I play the Nine Inch Nails single and again, the world’s slowest human being (meaning me) put two and two together.  Except that the Nine Inch Nails cover was even more pulverizing and disturbing than Queen’s version.  This discovery made me pull out the old Queen album from my LP collection and I listened to  “News of the World” with new ears.  And I concluded the album is a complete gem.

“News of the World” isn’t a great album, but it’s a very charming one.  Aside from the double A-side every knows, this is one the band’s “heaviest” albums.  “Sheer Heart Attack,” the song I thought was too loud and fast back in the day, was Queen’s attempt at one-upping punk rock by creating something more intense than the Sex Pistols and while it doesn’t completely succeed, is a damn good try.  While I prefer the Nine Inch Nails cover, Queen’s “Get Down, Make Love” sounds like a disturbing anthem for the NYC Plato’s Retreat / Anvil / Mineshaft crowd of 1970s sexual hedonism.  “Sleeping on the Sidewalk” is a decent attempt of doing an Aerosmith-style blues homage.   And … finally … the last song on the album …Queen’s all-time greatest song … the anthemic hard rock masterpiece “It’s Late.”

As I’ve mentioned on this blog before, “It’s Late” should be THE Queen song that’s played ad nauseum on classic rock radio. This is pure, balls-to-the-wall, non-campy hard rock that will peel the paint off the walls. That relentless multi-layered lead guitar sound by Brian May feels like a wool sweater in hell. And let’s not forget that cataclysmic drum sound by Roger Taylor that will shake your molars. Totally epic in every sense of the word. Allegedly this was a favorite of Kurt Cobain’s (given its presence in the Kurt Cobain documentary “About a Son”). It was also put to great use in Jody Hill’s brilliantly demented comedy “Observe and Report.” From the 1977 album “News of the World.”

“Physical (You’re So)” – Adam & The Ants

I first heard this as a bonus track on Nine Inch Nails’ pulverizing 1992 EP “Broken.”  I thought this was an original and found out much later it was actually a cover of an Adam & The Ants song.  I checked out the Ants’ version, fully expecting it to be in the same mode of their other music:  upbeat, percussion-heavy pop.  All I can is that I was WAAAAY off-base in my assumption.  Adam & The Ants must have been listening to Killing Joke and Public Image Ltd. back in the day, because this is really, really heavy and intense.  In fact, it almost sounds like … you guessed it … Nine Inch Nails, but nearly 10 years before Nine Inch Nails.

“Wish” – Nine Inch Nails


From the transitional 1992 EP “Broken,” “Wish” was the first Nine Inch Nails song that made me say “F–K YEAH!” A lot of my friends loved Nine Inch Nails already, but while I liked the attitude of 1989’s “Pretty Hate Machine,” it had too many synths and not enough guitars for my taste. Well, be careful what you wish for, because Trent Reznor added some guitars all right. Gobs of them. Even over 20 years later, the result is still one of the heaviest songs ever recorded. And I’ve since come around on “Pretty Hate Machine” as well.

Opening Credits to “Se7en” (1995) dir. David Fincher, scr. Andrew Kevin Walker


This legendary and infamous opening credit sequence to director David Fincher’s classic serial murder thriller “Se7en” may not seem particularly innovative in 2003. But in the fall of 1995, this completely blew we away (and I must say, still does to this day). This credit sequence told you all you needed to know about how different this film would be from all other detective / serial killer films before it.

“Se7en” is one of the most influential pieces of pop culture in the past twenty years. However, most of its impact has arguably been on TV. Without it, we would never have had shows like “CSI” and “Dexter,” or even “24” and “House.”  I distinctly remember seeing this credit sequence on a huge screen with booming digital sound that was so bass heavy I felt it in my bowels.

Extremely creeping and unnerving. Probably not safe for work. Major credit should be given to Harris Savides, who shot the sequence, and Angus Wall who edited it.  The music is remix of Nine Inch Nails’ classic “Closer” by the band Coil.

“I’m Afraid of Americans” – David Bowie (with Nine Inch Nails)

David Bowie is a musical genius, in my opinion. But there are some who think that Bowie is only as good as who he collaborates with. I don’t think that’s a fair criticism, but it’s understandable why someone may think that. Say what you will about Bowie, but the man does have excellent taste and has always been on the cutting edge. For all of the phases  of his career, here’s the short list of his collaborators: Lou Reed, Iggy Pop, Mott the Hoople, Brian Eno, Nile Rogers, Stevie Ray Vaughan, and, in the 1990s Trent Reznor of Nine Inch Nails.

“I’m Afraid of Americans” was Bowie’s collaboration with Nine Inch Nails from 1997 or so and the marriage is a damn good one.

“Hurt” – Johnny Cash

I can’t add anything to what’s already been said about this cover or this video, directed by Mark Romanek. It’s the very definition of the old saying “It’s the singer, not the song.” To say this is the greatest music video ever made is damning with faint praise. It’s actually one of the best films ever made, of any length. And if you watch this with a dry eye, you have no soul.

“Why D’ya Do It?” – Marianne Faithfull


Hell hath no fury like a woman scorned … especially when she’s in her late 30s, has lived a very hard life, and sounds like she could literally tear your head off with her bare hands.  You thought Alanis Morisette’s “You Oughta Know” sounded angry?   You thought Glenn Close in “Fatal Attraction” was nuts?  Hell, you thought Trent Reznor sounded pissed off against the female race on NIN’s first two-three albums?  Faithfull could easily kick all their asses without breaking a sweat and then go after the “bad boyfriend” in this song with a knife and fork.  Yikes.  A really, really angry song with a lot of bad language, so you know the drill.

“We’re In This Together” – Nine Inch Nails


A great song by Nine Inch Nails that was in heavy rotation for about 6 months back in 1999 and then disappeared. I always loved the wall of noise on this song and this video (directed by Mark Pellington). A completely stunning track that was allegedly inspired by David Bowie’s “Heroes.”