Harry Shearer discusses “The Day the Clown Cried” with Howard Stern

In the early 1970s, legendary comic actor/director Jerry Lewis decided to make what he believed would be the film that would finally make critics take him seriously … and hopefully shower him with Oscars. The film was “The Day the Clown Cried” and the plot involved a clown (played by Lewis) who is sent to a concentration camp by the Nazis in World War II and the clown’s job is to entertain the children in the camp before they’re sent off to the gas chambers.

That’s a VERY … um …  heavy and bizarre subject for a film … not to mention potentially tasteless. To be fair, I’m not saying that this concept would be impossible to bring off in a non-offensive manner. But it would take an artistic genius on the level of Orson Welles during the “Citizen Kane” era to do this and I’m not even sure he could pull it off.

Nobody’s entirely sure what happened next, but Lewis got into battles with his financiers and eventually, the film was never released. It’s allegedly locked in one of Lewis’s vaults somewhere and he has never shown it to anyone. The subject matter is verboten for any Lewis interview.

However, a few people have managed to see it, most notably comedian Harry Shearer who saw it in a surreptitious screening back in the 1970s. I’ve attached a clip from the Howard Stern Show from 2011 where he talked to Howard about seeing the film.

When Shearer was interviewed for a famous Spy magazine article about the film in 1992, he described it as like “if you flew down to Tijuana and suddenly saw a painting on black velvet of Auschwitz. You’d just think ‘My God, wait a minute! It’s not funny, and it’s not good, and somebody’s trying too hard in the wrong direction to convey this strongly-held feeling.” He also said “With most of these kinds of things, you find that the anticipation, or the concept, is better than the thing itself. But seeing this film was really awe-inspiring, in that you are rarely in the presence of a perfect object. This was a perfect object. This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is. ‘Oh My God!’ – that’s all you can say.”

Some extremely rare and behind-the-scenes footage of the making of “The Day the Clown Cried” recently surfaced on YouTube, which can be seen here.  It is so rare in fact, that the mere posting of this footage on YouTube was a major story:

A pretty good and detailed article by Justin Bozung can be found at the Mondo Film + Podcast website:

http://mondofilmpodcast.blogspot.com/2012/04/atomic-energy-moonshot-heart.html

“The Laws of my Administration” from “Duck Soup” (1933) The Marx Brothers

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From the Marx Brothers’ best film “Duck Soup” comes the manifesto (set to music) of the fictional country Freedonia’s new dictator Rufus T. Firefly. Key lines: “The last man nearly ruined this place, he didn’t know what to with it. If you think this country’s bad off now, just wait ’til I get through with it!”

When it was released, “Duck Soup” wasn’t as successful as other Marx Brothers films. However, contrary to popular legend it wasn’t a bomb (it was the 6th highest grossing film that year). According to Groucho Marx’s son Arthur Marx, “[MGM studio head Irving Thalberg] said the trouble with ‘Duck Soup’ is you’ve got funny gags in it, but there’s no story and there’s nothing to root for. You can’t root for the Marx Brothers because they’re a bunch of zany kooks. [Thalberg] says, ‘You gotta put a love story in your movie so there’ll be something to root for, and you have to help the lovers get together.'” And I would argue this is EXACTLY why the movies the brothers made for Thalberg pale in comparison to the earlier, more anarchic ones they made for Paramount. And it’s probably why “Duck Soup” is widely regarded as their best movie these days.

Some other fun trivia about “Duck Soup”: The residents of Fredonia, NY were upset that the use of their name as the country in the film would hurt their town’s reputation.  The Marx Brothers argued that they should change the name of their town, lest it hurt the reputation of their film.

“Searching for Dave Chappelle” by Jason Zinoman

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Determining the reason why Dave Chappelle walked away from a rumored $50 million deal with Comedy Central when he was ostensibly on top of the American pop culture pyramid is a parlor game many comedy and entertainment junkies have engaged in for nearly a decade.  New York Times writer Jason Zinoman doesn’t really present any new theories in his insanely readable 54 page Amazon Kindle Single “Searching for Dave Chappelle,” but it’s the best profile on Chappelle’s career I’ve ever read and provides a lot of food for thought not only about comedy, but also about race, success, fame, spirituality, and happiness.   Along with Joe Eszterhas’s “Heaven and Mel” and Joshua Davis’s “John McAfee’s Last Stand,” “Searching for Dave Chappelle” is a fine example of how damn good a Kindle Single can be.

And if you like what you read, you should really pick up Zinoman’s terrific book on 1970s horror films “Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror.”

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“White Cops on Dope” – N.W.H. with Ric Ocasek

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OK … this will likely only be interesting if you’re an EXTREMELY die hard music, comedy, and film geek. But this is a by-product of the rap “This is Spinal Tap” film “Fear of a Black Hat” from 1994. Director Rusty Cundieff decided to parody the collaboration between rappers and rockers (aka Run DMC/Aerosmith doing “Walk That Way”) by doing a version of the Tubes’ “White Punks on Dope” as “White Cops on Dope” … collaborating with the Cars’ Ric Ocasek. This did not make the final film, but managed to wind up as a special feature on the DVD.

Seriously, this is music / film / comedy geekiness on such an extreme level that only a very select few will appreciate this. If you don’t want to join the party, I understand. But if you can appreciate this on any one of these levels, I’ll not only buy you a drink but indulge you in more “bonus” material than you’d ever hope to enjoy in a lifetime. Embrace your inner music / film / comedy geek my little babies and drink the Kool-Aid!!!!

Eddie Murphy on Doo-Doo, Grandmothers, and Family Christmas Gifts

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From Eddie Murphy’s first comedy album, this is an extended routine that starts out about hassling girls with doo-doo, then goes into a routine about Grandmothers, and then goes into an extended monologue about Christmas gifts for family members. Three words: “BRUT … by Faberge.”

Fun facts I learned about El Duce, the late lead singer of the Mentors, from Al Jourgensen’s autobiography “Ministry: The Lost Gospels According to Al Jourgensen”

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El Duce was the lead singer of the debauched punk-metal band The Mentors. They became notorious in the mid-1980s during the Congressional hearings over wicked rock music and were called “the worst of the worst” of all bands recording at the time. Lyrics from their song “Golden Showers” are part of the Congressional record: “Bend up and smell my anal vapor / Your face is my toilet paper.” Sorry, but that s–t is funny!

Here are some of the highlights about Ministry’s Al Jourgensen’s brief friendship with Duce during the late 1980s/early-mid 1990s. Considering how debauched Jourgensen’s autobiography gets, the fact that Duce outdebauched Jourgensen is really saying something.

1. Al Jourgensen first met El Duce on the floor of a bathroom in San Francisco, naked from the waist down, lying in a pack of Dorito chips and vomit. Duce announced to Jourgensen that he had gone to high school with Jourgensen’s drum player. Duce then pissed all over himself, threw up, and passed out in his vomit, urine, and Doritos. Jourgensen helped Duce get himself together and take him to reunite with his drummer. When his drummer saw Duce, he almost stormed out and bailed on the show. Apparently, Duce allegedly attacked his drummer’s sister.

2. Duce tried to have sex with Jourgensen’s mom … in front of Jourgensen’s stepdad. Duce said, “Hey, that’s a pretty hot little b—h,” tackled Jourgensen’s mom, and tried to hump her. Jourgensen had to stop him by breaking a beer bottle over Duce’s head.

3. Duce used to go into Walgreens and steal Listerine and Scope because they had alcohol in them. Unfortunately, he would drink the mouthwash in the store, pass out, and then get arrested for theft.

4. Duce got so drunk one night he passed out. Jourgensen and his bandmates put lipstick on him and dressed him in women’s lingerie. They left him underneath the ice machine of the hotel. When the maids discovered him, they freaked out and started hitting him with a mop and spraying him with cleaner. Duce looked down at himself and said “What are you hitting me for? I look godd–n good today!”

5. Duce and his band the Mentors got paid $20,000 in beer to record an album. They got so messed up they never got halfway through a song before passing out. To add insult to injury, they recorded the album on a microcassette (the type of tape that used to be in answering machines) and turned in the microcassette to the record label. I don’t believe that album was ever released.

This clip is from the infamous Nick Broomfield documentary “Kurt & Courtney” where Duce claimed that Courtney Love offered him $50,000 to “whack” Cobain. While Cobain conspiracy theorists believe that Duce’s subsequent death in 1997 was due to his admission of this plot, it was likely due to the types of things that happen when you’re a degenerate drunk and proud of it. Duce got demolished by a train when he was wasted and tried to play “chicken” with an oncoming train to impress some fans. Unfortunately, his leg got stuck on the track and realizing his death was imminent, continued to “Sieg Heil” the train before it demolished him.

By the way, Jourgensen’s autobiography “Ministry: The Lost Gospels According to Al Jourgensen” is simultaneously hilarious and horrifying. It’s one of the wildest rock and roll memoirs ever written and makes Motley Crue’s “The Dirt” look like “The Bridges of Madison County.”

“Sex Dwarf” – Soft Cell

From 1981’s now-classic Soft Cell album “Non-Stop Erotic Cabaret” comes “Sex Dwarf,” the scandalous album track that that no doubt caused many parents to get apoplectic back in the day when their kids brought home the album due to their love for the smash single “Tainted Love.”  The song is legitimately creepy and the hard R-rated video the band shot for the song (with S&M gear and raw meat) is fairly disquieting.  That video (directed by Tim Pope) is easily found on YouTube, but I’m not posting a link to it, because you can find that on your own.  Actually, I discovered something that is WAY more disturbing … this is an online video created by some twisted genius who synced some Teletubbies video to the song.  Yes, everything in the video is G-rated, but when you watch the Teletubbies with the sounds of “Sex Dwarf,” trust me, this is a serious mindf–k that rivals any David Lynch or Alejandro Jodorowsky film.  Proceed at your own risk.

“God Save the Queen” – The Archies

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And YOU thought the Sex Pistols invented punk rock … Pshaw! Here’s living proof that Archie Andrews … along with Reggie, Jughead, Betty, and Veronica were sticking it to the British royals long before Johnny Rotten hocked his first loogie. However, I am puzzled why Archie and gang would hate dear old Brenda so much.

“Kick My A–” Paul Shaffer as Artie Fufkin in “This is Spinal Tap” (1984) dir. Rob Reiner

One of my favorite bits from “This is Spinal Tap,” this is Paul Shaffer as the unctuous and inept Polymer Records promotions man Artie Fufkin.  What’s great about this scene is that Fufkin won’t allow the band the dignity of being angry with him after a screw-up.  He literally throws his own dignity on the mat and stomps on it himself.

By the way, this is something I’ve been dying to do for years when offering an insincere apology, but don’t have the balls to do it, lest anyone literally take me up on my offer … or not know what the hell I’m referencing.