“Frankenchrist” (1985) – Dead Kennedys

“Frankenchrist” was the Dead Kennedy’s 1985 long-awaited follow-up to their 1982 album “Plastic Surgery Disasters.”  Nearly 30 years later, I can’t say it’s a better album, but it’s a lot better than I remember it.  Of course, much of this reassessment has to do with all of the trouble that “Frankenchrist” whipped up back in the day.

A big part of the problem was the inclusion of a poster, a reproduction of Swiss surrealist artist H.R. Giger’s “Penis Landscape,” that was included with the album.  If you want to see this painting, you can type in “H.R. Giger” and “Penis Landscape” into a Google image search and see what all the fuss was about.   Please note that the artwork is not safe for work or little ones.  Anyway, it caused the DK’s lead singer Jello Biafra to be arrested, along with other folks, and charged with “distributing harmful matter to minors” because the warning label on the album allegedly wasn’t big enough … or something like that.  The reason why they were targeted (as opposed to a more high profile artist like Prince) was because the DKs were a smaller band on an independent label.  As such, they were more financially vulnerable, more likely to plead guilty, which would then set a legal precedent so then, prosecutors could go after bigger artists.  To Biafra’s enormous credit and foresight, he saw the big picture, decided to fight the suit and much to his financial detriment (and his band’s ultimate demise), wound up getting the case dismissed after a long and costly trial.

Biafra’s tale is most brilliantly told in his “High Priest of Harmful Matter” spoken word album, the track labelled “Tales from the Trial” that really needs to be heard by any person who appreciates free speech.  Biafra’s speech on this album briefly inspired me to want to become a First Amendment lawyer back in college, a notion that was eventually disabused by my lack of public speaking skills.  However, I do cherish the memory of dropping this career plan on my ultra-conservative attorney uncle back in the day and seeing him first turn white … then red … in fear and anger.  His reaction was so extreme that even my conservative Dad chuckled and gave me a thumbs up for getting under my uncle’s skin so effectively.   I gotta hand it to my Dad … he always went for the cheap (and funny) joke over principles.  To paraphrase Ray Bolger in “The Wizard of Oz,” “If I’d only had a pair …”

The most bizarre footnote of this case was that Gene Simmons of KISS wanted to buy Biafra’s life rights to this story so he could produce a movie about the trial with Billy Crystal playing Biafra.  As Ace Ventura would say, “Alllllrighty then!”

John Waters 10 Best Films of 2012

http://www.artforum.com/inprint/id=37454

One of my favorite December rituals is looking to see what films irreverent, but legendary filmmaker John Waters has selected for his 10-best films of the year in Artforum magazine.  Below is the list, but his commentary at the Artforum website (located at the link) above is a must-read.

  1. The Deep Blue Sea – Terence Davies
  2. Paradise: Faith – Ulrich Seidl
  3. Paradise: Love – Ulrich Seidl
  4. Amour – Michael Haneke
  5. Killer Joe – William Friedkin
  6. Beasts of the Southern Wild – Benh Zeitlin
  7. Compliance – Craig Zobel
  8. Marina Abramović: The Artist Is Present – Matthew Akers
  9. Beloved – Christophe Honoré
  10. The Imposter – Bart Layton

 

Joe Eszterhas on Mel Gibson (Howard Stern Show, 6-27-2012)

Video

A great interview with legendary screenwriter Joe Eszterhas by Howard Stern from June 2012, focusing on Eszterhas’s disastrous collaboration with Mel Gibson. Pretty funny in a lot of spots, but also a fairly disturbing look at Gibson. If you’re interest is piqued, you seriously need to read the Amazon Kindle single “Heaven and Mel”which goes into much more detail. It’s the length of a 150 page book, but it’s only $2.99. One of the most harrowing and hair-raising True Hollywood Stories you’ll ever read. To be fair, aside from Mel’s minor rebuttals, we haven’t heard Mel’s complete side of the story. However, Eszterhas does make a good case and rightly or wrongly, as Mike Ovitz learned, “Don’t f–k with Eszterhas!”

Lots of bad language and adult subject matter so not safe for work or little ones.

“Love Actually” (2003) dir. Richard Curtis

I realize I’m going to lose a lot of credibility points on this one, but f–k it!  Yes, this is hopelessly contrived.  Yes, it inspired a horrendously insipid genre of all-star casts falling in love around the holidays.  But this is one of my all-time favorite films and one that always brings a smile to my face.  This is probably my biggest guilty pleasure, but I don’t feel that guilty about it.  There’s terrific acting (especially by Alan Rickman, Emma Thompson, Bill Nighy, and Laura Linney), a smart script, and is one of those movies that genuinely tries to make you feel good … and succeeds.   Next to “A Christmas Story” and “Bad Santa,” this is my all-time favorite Christmas film.

For penance, I tried finding a link to the parody that “30 Rock” did for their own version of “Love Actually”:  “Martin Luther King Day” … but alas, this no longer available in good quality on the net.

“Merry Christmas (I Don’t Want to Fight Tonight)” – The Ramones

The Ramones contribute a rockin,’ but sweet and sincere Christmas classic.  From their pretty decent 1989 album “Brain Drain.”  The video is a little corny, but worth a look mainly because, sweet lord, the clothes and hair on the actors (especially the female lead) is sooooo 1989!