Just discovered this gem of a cover by Sandy Denny’s friend Linda Thompson (Linda’s ex-husband Richard Thompson was in the band Fairport Convention with Sandy). Linda’s lovely voice does this terrific Denny song justice. If I’m not mistaken, I think the guitar player on this track is Richard. If it’s not, it’s one of the best Richard Thompson imitations I’ve ever heard.
Here is what could only be described as an extremely rare live performance by Richard and Linda Thompson performing the shattering “Walking on a Wire” during a live tour in 1982. From the classic album “Shoot out the Lights,” this is a very heavy song about a relationship on the ropes. Perversely, this was likely written during a time of trouble between the Thompsons, as they divorced soon after this album was released. Of course, the Thompsons have consistently denied any connection between “Shoot out the Lights” and the end of their marriage. Just like Woody Allen’s acidic 1992 film “Husbands and Wives” in NO way reflected Allen’s and Mia Farrow’s relationship issues.
In any case, a truly marvelous performance and watching Richard work that guitar during the stunning solo near the end of the song is always a jaw-dropping experience.
“Wall of Death” is the closing song of Richard and Linda Thompson’s bleak album from 1982, “Shoot out the Lights.” For those who don’t know (and I didn’t know until recently), a “wall of death” is (according to Wikipedia) actually “a carnival attraction featuring a silo- or barrel-shaped wooden cylinder, ranging from 20 to 36 feet in diameter, inside of which motorcyclists, or the drivers of miniature automobiles, travel along the vertical wall and perform stunts, held in place by centrifugal force.”
I always thought “Wall of Death” was a metaphor for suicide or something equally dark. And for all I know, it could be. However, now that I know what a real “wall of death” is, I think the song has a different meaning in the context of the album (which many take as a song cycle about the Thompsons’ impending divorce). Since the Thompsons were still together when the album was completed (they didn’t divorce until the album was released), I now see the song in a more positive light. I think the song could be an affirmation of the importance to keep things going in an otherwise strong relationship, even though the going can be tough and scary at times. The song could also be an affirmation of how many people still seem to look for love, even though it can be a scary ride, because, as the lyrics say, “it’s the nearest to being free.” Again, given the context of what was going on with the Thompsons at the time, I could be completely wrong. But I’m also happy to believe there’s possibly a more positive meaning to a great song I always thought was unbearably bleak.
The accompanying video shows some classic stills from real “walls of death” over the years.
The king of nihilistic English folk does a transcendent cover of Britney Spears’ “Oops I Did it Again.” And yes, in Thompson’s brilliant hands, this is not only a brilliant cover, but I also now recognize it for the great song that it is.
From the 2009 album “House of a Thousand Guitars,” is a lovely ballad by Willie Nile. Nile is an immensely talented singer-songwriter who always seemed on the verge of breaking big, but never did due to various circumstances. He recorded some albums in the early 1980s for Arista with members of the Patti Smith Group as backup musicians. Pete Townsend was such a fan, he hired Nile to open some dates for the Who back in the 1980s. Among his fans and backing musicians over the years: Bruce Springsteen, Richard Thompson, Loudon Wainwright III, Roger McGuinn, and many others. A vastly terrific and underrated talent.