“I’m Afraid of Americans” – David Bowie (with Nine Inch Nails)

David Bowie is a musical genius, in my opinion. But there are some who think that Bowie is only as good as who he collaborates with. I don’t think that’s a fair criticism, but it’s understandable why someone may think that. Say what you will about Bowie, but the man does have excellent taste and has always been on the cutting edge. For all of the phases  of his career, here’s the short list of his collaborators: Lou Reed, Iggy Pop, Mott the Hoople, Brian Eno, Nile Rogers, Stevie Ray Vaughan, and, in the 1990s Trent Reznor of Nine Inch Nails.

“I’m Afraid of Americans” was Bowie’s collaboration with Nine Inch Nails from 1997 or so and the marriage is a damn good one.

“Annie’s Gone” – Redd Kross

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Because Redd Kross always seemed to be riding a kitschy 1970s schtick from early on and played that up in their videos, I think they were always unfairly dismissed. Their 1990 Atlantic-label album “Third Eye” is a pop masterpiece and would easily be on my Top 100 desert island albums list. “Annie’s Gone” should have been a monster hit, and while it got some play on college radio, it didn’t go much further from that. A severely underrated band and album.

“Genius of Love” – Tom Tom Club

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A loving tribute to funk, recorded by a couple of Talking Heads on vacation (Tina Weymouth and Chris Frantz), Adrian Belew, and others. The song became a classic, being sampled endlessly in the early days of hip-hop. However, as great and as groundbreaking as the song was/is, the animated video is even better. Almost 35 years later, it still seems revolutionary.

Crispin Glover and Dennis Hopper in “River’s Edge” (1987) dir. Tim Hunter

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If there was ever a better argument for pot legalization than this scene from the creepy 1987 cult movie “River’s Edge,” I have yet to see it. This is probably the scariest … and  funniest … variation of the “buying pot from the weird older guy” scenario that many of you may or may not have experienced in your wayward youth. By the way, that’s Keanu Reeves in the background.

“Lookout Joe” – The Bottle Rockets

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Alt-country legends the Bottle Rockets do a slammin’, very heavy cover of Neil Young’s deep album cut from the bleak masterpiece “Tonight’s the Night.” All I can say is, “Damn!” And also, “Why haven’t the Rockets ever officially released a cover of this?”

“The Way I Walk” – Robert Gordon and Link Wray

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Before the Tuff Darts recorded their first album for Sire, Robert Gordon left the group and arguably had greater success as a rockabilly singer. This cover of Jack Scott’s “The Way I Walk” with 50s guitar legend Link Wray is a masterpiece of swagger and menace.  Wray’s guitar on this track must rank among the sickest solos ever recorded. In 1994, this was used during the pre-credits sequence of Oliver Stone’s “Natural Born Killers.”

“Chickens–t” – John Cale

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A common misconception is that Lou Reed was the Prince of Darkness in the Velvet Underground. While Reed is pretty dark, many would argue that John Cale was the real dark one in the VU. Don’t believe me? Look at the Velvet Underground’s output once Cale left the group. With Cale, the Velvets recorded “Heroin,” “Venus in Furs,” “White Light/White Heat,” “Sister Ray,” and “The Gift.” Post Cale: “What Goes On,” “Jesus,” “Sweet Jane,” “Rock and Roll.”

Cale can dress things up beautifully with orchestral arrangements and lilting vocals (his best known song is arguably his cover of Leonard Cohen’s “Hallelujah” from the “Shrek” soundtrack) . But during the mid-late 1970s, Cale let his freak flag fly with some brilliant, disturbing, and very heavy stuff. “Chickens–t” is from Cale’s lesser-known post-Island records period, more specifically the 1977 EP “Animal Justice.” A wonderfully malevolent and sinister hard rock masterpiece.

“Cry to Me” – The Rolling Stones

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Another moment of genius from the early Stones. From their severely underrated album “Out of our Heads” comes this cover of a song first recorded by Solomon Burke in 1962. Like many of their early great songs, the song builds wonderful tension that explodes during the chorus. Classic rock stations: burn that freakin’ copy of “Hot Rocks 1964-1971” you play ad nauseum and start digging deep!!!

“Backstreet Girl” – Social Distortion

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Pre-major label Social D. covers one of the Rolling Stones’ most beautiful and most troubling songs.

The original is a lovely-sounding acoustic ballad, where the protagonist is a rich guy who tells his mistress in no uncertain terms what her place is in his life. As I said earlier about the Stones’ original, “Jagger and the gang could be doing an ironic Randy Newman-esque take on a sleazy, phliandering rich guy, which I would buy … except for the fact that I’m sure that the attitude of the song’s narrator is not far from the way they probably felt about women back in the day. A great song with contradictory and often troubling messages? Hmm … sounds like the Stones to me in a nutshell.”

Social D. says “Ah, bulls–t!” to such nonsense and just bashes through the song as Social D. is wont to do. I can’t say that they’re wrong in their approach.

2000 Hits on Dave’s Strange World!

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Dave’s Strange World just had it’s 2,000th view today. Many thanks to everyone, from followers to lurkers, for the continued success of this blog.

To celebrate, esteemed British actor Oliver Reed has agreed to come back from the grave to do a solo performance of what dance purists call “Drunk on Aspel.”

The all-time Top 10 most popular posts on Dave’s Strange World:

10. “Copendium” written by Julian Cope

9. “Mother” – Natalie Maines (with Fred Norris) live on the Howard Stern Show 1-4-2013

8. “The Rebel Jesus” – Jackson Browne and the Chieftains

7. “Spirit of Truth aka One Man Show” (1997) – Vincent Stewart as Reverend X

6. “Hard Working Man” – Captain Beefheart / Ry Cooder / Jack Nitzche, from the film “Blue Collar” (1978) dir. Paul Schrader

5. “Russ Meyer’s Vixen” (1968) dir. Russ Meyer

4. “Saturday Night Live 1980″ – Nathan Rabin’s “How Bad Can it Be? Case File #23″

3. “Poetic License is Not Appreciated” a look at “American Me” (1992) dir. Edward James Olmos and “Blood In, Blood Out” (1993) dir. Taylor Hackford

2. “Everything is an Afterthought: The Life and Writings of Paul Nelson” by Kevin Avery

and still #1 with a bazooka …

1. “The Girl You Wish You Hadn’t Started a Conversation With At A Party” … From Saturday Night Live (2012)