“You Think You’re A Man” – Divine

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In honor of the new documentary “I Am Divine,” here’s everyone’s favorite 300-pound transvestite from Baltimore … Divine … singing his/her biggest hit. This was a Top 10 hit in Australia and a Top 20 hit in Great Britain. The producers were Stock Aitken Waterman, the evil bastards behind “You Spin Me Round (Like a Record),” the Bananarama remake of “Venus,” and worst of all … Rick Astley. Before you start calling for the death penalty for these three, “You Think You’re a Man” is extremely catchy.  In fact, I defy anyone not to let their freak flag fly to this. The fact that an underground legend such as Divine managed to score such mainstream success also brings a huge grin to my face. Sadly, Divine passed on when he/she was on the cusp of major mainstream success in the late 1980s.  The villainess in “The Little Mermaid” was based on Divine … a nice tribute to a comedy legend.

Memorably covered by the Vaselines (one of Kurt Cobain’s favorite bands) in the late 1980s, which … oddly … is how I first heard this song. Their cover is included below:

“Gotta Getta” – The Undertones

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http://www.youtube.com/watch?v=ArPinxKoJBg

The band that was first known as the Irish Ramones delivers a gem from their classic self-titled debut album. This may not be as well-known as “Teenage Kicks” or “Jimmy Jimmy,” but it was always one of my favorites. And it accomplishes all that it needs to in just under 2 minutes.

“Ever Fallen in Love (With Someone You Shouldn’t Have)?” – The Buzzcocks

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http://www.youtube.com/watch?v=terg_LPT3X0

I just noticed that in the nearly 15 months Dave’s Strange World has been active, I’ve only posted one Buzzcocks song. Well here’s a long overdue second.

“Ever Fallen In Love (With Someone You Shouldn’t Have)?” is arguably the Buzzcocks best-known song. Not only was it their highest-charting hit in the U.K., but it was later covered by the Fine Young Cannibals and Pete Yorn (whose cover was prominently featured in “Shrek 2”). This is a great power pop song if there ever was one. And the mix of heavy guitars and pop harmonies are evenly matched. It’s thrashy enough for the punks and hooky enough to be a classic pop song that transcends decades.

“Theme from S.W.A.T.” – Rhythm Heritage

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This was the first record I ever bought with my own money … I think in early 1976. And damn … even nearly 40 years later … this music still makes me want to crash a large American car through a plate glass window, jump out of the car with my flares, leather jacket, and .38 while subduing some thug in a ski mask, and then … cut to me curling up next to two ladies in bikinis on a leather sofa while giving the camera a wink and thumbs up while holding a glass of scotch.  Stay classy!

Songs from the Dragon Wagon, circa 1986 – 1988

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What is the Dragon Wagon? The Dragon Wagon was a lime green 1982 Chrysler station wagon that a friend of mine was given by his parents circa 1986 when he got his license. This was no mere car. It was a chariot … spiriting a group of young men and women off to find parties on Friday and Saturday nights that 50% of the time didn’t exist, 25% of the time existed but had already been busted up by police, 15% of the time existed but had no beer left … but it was that magic 10% of the time when the party was still active … and had beer or other liquid or herbal spirits … that we all sought.

The car was so magical that one night the owner decided to permanently enshrine this vehicle as the Dragon Wagon by using reflector tape on the side to label this vehicle. I don’t know if it was the booze or some other muse that caused him to spell “dragon” as “dragin”. Oh, and he also tried to put the Van Halen symbol on the car, only he got the “H” and the “V” mixed up … which meant he was worshipping “Han Valen.” Laugh all you want to, but worshipping “Han Valen” is way cooler in my book.

I don’t know when this vehicle finally bought the farm. It was either when my friend struck a cable box … or it just died the type of grisly death you hear about in Tom Waits songs … but it was truly a great car. In honor of this vehicle, I am posting songs that I remember hearing in this automobile during pivotal moments of my misspent youth.

“Swan Swan H” – REM

“Cigarette” – The Smithereens

“A Forest” – The Cure

“Beautiful Girl” – Van Halen

“Can’t Get There From Here” – REM

The Benny Calls, circa early 1980s

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For my money, the best prank calls of all time were an endless series of calls made to someone by the name of Benny at Al White Motors in Tennessee by someone named Arnie at some point during the early 1980s. I say the 1980s, because Arnie asks Benny if he’s campaigning for Jesse Jackson at one point and Benny reacts very angrily (I can’t remember if this snippet is part of the calls at the links I’m supplying).

The premise is this: Arnie constantly pesters Benny about being friends … sometimes multiple times an hour … and Benny is … well, less than accommodating. Benny curses out Arnie at every opportunity, most frequently calling him a “buzzard bastard, “bastard buzzard,” “son-of-a-bitch-bastard buzzard” or telling Arnie to “Go to Hell!”

At first, the calls seem monotonous. But if you listen for a while, the pure benign stalker-ish charms of Arnie wash over you like a warm shower … and Benny’s (understandably) annoyed and tortured responses are … sorry … really really funny.

If you listen, you will also notice some drama emerging. It seems that Benny got a friend’s sister pregnant while he was in the Army and dumped her. The friend’s name is Barney and Arnie reveals that he is Benny’s long-lost son. Whether any of this is true or not is pure speculation, but the question does emerge of why Benny stays on the phone so long with Arnie and puts up with him. It’s the weirdest, most evocative expression of audio S&M ever recorded.

At some point in the 1990s, someone made a feature film out of the calls called “The Corndog Man” starring Noble Willingham as the Benny substitute. While Willingham delivers a career-best performance, the movie is uneven and quite frankly, I was a little disappointed the film “explained” the reason why Arnie was audibly torturing Benny. I kind of liked it when it was a mystery.

If you like the 45 minutes of calls linked above, there’s another 45 minutes at the link below, you bastard buzzard! And if you don’t like Hotpoint, go to hell!

“Queenie Eye” – Paul McCartney

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Folks, I had zero expectations when I heard Paul McCartney was releasing a new album. Yes, the man is a songwriting genius, but he hasn’t done much in recent years that’s impressed me … until now. “Queenie Eye” is not only the best McCartney song in several years, but one of his best period. OK, maybe not compared to the Beatles, but certainly compared to much of his solo output. What can I say? I’m sold! From his recently released album “New.”

“Touch Me I’m Sick” – Mudhoney

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Now this is GRUNGE, you sons of bitches! Yes, Nirvana did a great job doing the grunge thing, but “Touch Me, I’m Sick” is what defined the sound … all the way back in 1988. This is Mudhoney’s debut single on Sub Pop and it’s every bit the classic people claim it is. The fact that it’s 25 years old makes me feel very very old this evening.

“I Started a Joke” – The Bee Gees

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http://www.youtube.com/watch?v=Dq6YmSVAOG8

OK, you can talk all you want to about how maudlin and mopey Morrissey is. But the Moz is Sammy Hagar on Viagra compared to the early Bee Gees. Holy mackeral! The early Bee Gees had lyrics that sound like they were written by a teenager in a mental ward, backed by arrangements so syrupy and overdone you can drown in ’em. And damn if I’m not a big fan of all these severely depressing ballads. No irony at all in my love. OK, I do laugh from time to time at how totally HEAVY these songs are. But I still dig ’em.

“I Started a Joke” is one of the best and roll your eyes all you want to, it takes balls of steel to pull off lyrics like “I finally died … which started the whole world living.” Seriously, I understand the temptation to be a d–k and laugh at this, but those haunting chords and despairing vocals draw me in every time. Bastards!

Brilliantly used at the end of the very odd 1989 Arthur Penn comedy “Penn and Teller Get Killed.”