The Shadows of Knight’s biggest and best-known song is their cover of Them’s “Gloria” (Them was Van Morrisson’s original band). However, in my opinion, “Shake” blows their version of “Gloria” out of the water. Some damn good 60s garage punk.
Monthly Archives: March 2013
“Pictures at a Revolution” by Mark Harris
Easily one of the Top 5 best books I’ve read about American film history is Mark Harris’s terrific 2008 tome “Pictures at a Revolution.” “Pictures” focuses on the five films nominated for the Academy Award for Best Picture in 1967 and through chronicling the genesis, production, and release of these films, Harris makes a strong argument that this was the tipping point between the Hollywood of old and the “new Hollywood” that emerged in the 1970s. If you enjoyed Peter Biskind’s seminal 1970s Hollywood chronicle “Easy Riders, Raging Bulls,” “Pictures” is a worthy prequel and, arguably, just as complex and readable as Biskind’s famous book.
However, please note that while Harris focuses extensively on the five Best Picture nominees of 1967 (“Bonnie and Clyde,” “Dr. Doolittle,” “The Graduate,” “Guess Who’s Coming to Dinner,” and “In the Heat of the Night”), this isn’t the limit of the tale that “Pictures” tells. Harris paints vivid portraits of the creative forces behind these films (Mike Nichols, Warren Beatty, Arthur Penn, Stanley Kramer, Sidney Poitier, Rod Steiger, Norman Jewison, Rex Harrison, Faye Dunaway, Francois Trauffaut, Buck Henry, Katherine Hepburn, Spencer Tracy, Anne Bancroft, and Joseph E. Levine among several others) as well as other films from the era that were also making a huge impact (“Jules and Jim,” “Who’s Afraid of Virginia Woolf?,” “Blow Up,” “The Sound of Music,” “My Fair Lady,” “A Patch of Blue” among several others). While “Pictures” may not be as gossipy as Biskind’s classic, it serves as a wonderfully entertaining social history of how 1960s Hollywood reflected (and in many cases, resisted) the cultural changes that swept the nation during that tumultuous decade. If you have any interest at all in film or social/cultural history, Harris’s book is a must-read.
Favorite anecdote: Warren Beatty is showing “Bonnie and Clyde” to Warner Brothers studio head Jack Warner. Warner advised that if he has to get up to go to the bathroom, the picture will not work. Warner excused himself three times to use the restroom. At the end of the screening, Warner advised that the film was terrible because it was “a three-piss picture.” Beatty tried to flatter Warner by saying that “Bonnie and Clyde” was an homage to the gangster movies that made Warner Brothers a huge success in the 1930s. Warner’s reply: “What the f–k’s an ‘homage’?”
“The ‘In’ Crowd” – Bryan Ferry
Video
Bryan Ferry’s transcendent 1974 cover of the Dobie Gray – Ramsey Lewis jazz-soul classic from the 1960s. Ferry can totally rock a white dinner jacket and still kick ass better than most leather-jacketed would-be “tough” guys. He also has the good taste to include some dissonant electric guitars on this cover as a wink and nod to the hip rockers in the audience. Yes, Ferry looks like every bad personal injury lawyer on TV, but he arguably gets better as he gets older.
“Smoke Gets in Your Eyes” – The Platters
Video
A damn good ballad … um … that’s just smoke in my eyes … I’m OK … really.
“Black Sabbath” – Black Sabbath
Video
https://www.youtube.com/watch?v=_GgBx7Y0aso
The opening track of Black Sabbath’s self-titled debut album, this song sets the stage for the marriage of heavy metal and Satanism, Goth, and other things some people are scared by and other people laugh at derisively. Yes, a lot of this is pretty silly, but the song still knocks me for a loop every time I hear it. And if I ever fulfill my childhood dream of becoming a filmmaker, I get first dibs on using this song for a scene in a mob film where a hitman plots taking out some enemies. This post will be registered with the WGA, so if any of you wannabe Tarantinos decide to steal from this wannabe Tarantino, my team of lawyers will see you in court.
By the way, Black Sabbath’s debut album was recorded for a mere 800 pounds ($1200 in American dollars). This is 1/5 the cost of the Ramones allegedly “low-budget” debut album which cost $6000 in American dollars.
“Paranoid” – Black Sabbath
Video
http://www.youtube.com/watch?v=kz_6jagv_D4
Even though Black Sabbath are considered kings of heavy metal, “Paranoid” is pure punk rock in my humble opinion. While Led Zeppelin were bragging about giving you every inch of their love, Sabbath was fretting about war-mongering politicians and generals (their classic “War Pigs”) and emotional breakdowns. “Paranoid” contains one of my all-time favorite lyrics: “Make a joke and I will sigh and you will laugh and I will cry.” Damn, if that one line doesn’t sum up the downward spiral of the victim of a bully, I don’t know what does.
Darwin Porter’s celebrity biographies
Whether you want to admit it or not, there’s a part in all of us that feels a certain pleasure when people who have risen to a higher level of success or notoriety than we have are taken down a peg … or twelve. This feeling is called “schadenfreude” and it’s the basis for for all of those clicks on TMZ.com and PerezHilton.com, all those times you pretend not to scan the headlines of the tabloids when you’re in the checkout line, and all of those times your computer mouse finds itself going to the “Entertainment” and “Celebrity” sections of your favorite news page. I’m not putting this practice down. While it’s a trait not too many people are proud of, it performs a necessary balancing act for our psyches. When you’re working a job you don’t like to pay for things you don’t need, it’s nice to be reminded those people who we think “have it all,” really don’t.
However, despite the rationalizations indicated above, I find it hard to rationalize why I’m addicted to Darwin Porter’s celebrity biographies. Forget TMZ. Forget Albert Goldman. Forget even Kenneth Anger (the author of the original “Hollywood Babylon,” the Magna Carta of Hollywood sleaze). Porter’s celebrity biographies are … hands down … the absolute FILTHIEST, DIRTIEST, and SLEAZIEST celebrity biographies you’ll ever read. I’ve read four of Porter’s bios so far (Steve McQueen, Michael Jackson, Marlon Brando, and Linda Lovelace) and every time I put one of his books down for sleep, I feel like I need one of those Karen Silkwood showers afterwards. This is because Porter focuses almost exclusively on the sexual lives of his subjects and he goes into extremely explicit detail about the sights, the sounds, and … sometimes … the smells of their sordid private affairs. Yet, while such details may seem titillating, they actually have the opposite effect. By the end, you feel like you’ve been ravaged by the entire series run of E! True Hollywood Stories and then abandoned with no cab fare for your efforts. I realize, of course, these protestations are hollow considering I’ve read four of these damn bios, but like Kyle MacLachlan’s character in “Blue Velvet” keeps going back to see Isabella Rossellini’s troubled character, I keep wandering back to Porter’s books.
Yes, most of Porter’s subjects are dead and therefore, can’t defend themselves. Yes, you’re a complete moron if you believe 100% of what you read in these books. However, there’s also the adage that “where there’s smoke, there’s fire.” So, if you’re looking for that literary equivalent of hanging out at the bar until closing to find that special someone who will utter the magic words “Why not?”, Porter’s books are the ticket. As long as you have your bulls–t director on high and have the Comet cleanser close by, you’ll do just fine. Of course, you’ll go to hell for merely browsing any of these books. But at least if you’re going to hell for reading a book, Porter makes it worth your while. Most of his tomes are over 400 pages long and all of them are jam-packed with with nothing but the “bad” (or “good,” depending on how evil you are) stuff you’re looking for. And … most of them are available digitally … so you can read these books without rousing too much suspicion. However, please be warned that Porter does love to throw the inappropriate pictures around like many people pass out after-dinner mints. Like a Whitman’s Sampler of sleaze, you never know what picture might pop up when you turn the page, so be careful reading these books on a plane.
Happy St. Patrick’s Day!
“Teenage Riot” – Sonic Youth
Video
http://www.youtube.com/watch?v=BKMD8vI1MaM
The first and best-known track of 1988’s “Daydream Nation,” this not only brings back memories of my first year in college, but also, more importantly, my second year in grad school. Why was this song … and this album … so important to me in 1995-1996? Because it was my only line of defense against my next door neighbor …
My next door neighbor was a meek looking guy … resembling Garth from “Wayne’s World,” but with a Kurt Cobain haircut. Somehow this geekazoid managed to snare a hot goth girlfriend. Yes, I know that sounds like an oxymoron, but they did exist on occasion back in the day. Anyway, Garth and his girlfriend used to have loud relations at all hours of the night. This wasn’t the standard moans and groans and occasional loud “Oh my God!” This was full-on Ted Bundy-and-young-female-hitchhiker type shenanigans. This young woman’s screams were blood curdling. And because I lived in a wood-panelled apartment that cost me $210 a month, let’s just say it got a little loud when I was trying to sleep.
So I would have to venture into my living room and sleep on a sofa that Goodwill later rejected when I moved out. I had to crank this very drony album by Sonic Youth at a volume just loud enough to drown out the nonsense two rooms removed, but not loud enough to annoy my other neighbors. This album and My Bloody Valentine’s equally drony shoe-gazing masterpiece “Loveless” worked well enough to drown out the serial killer fantasies of the lovers next door and saved my sanity that year.
Henry Rollins on seeing KISS
Video
This is a shorter version of the 70+ minute monologue Henry Rollins delivered on seeing KISS for the first time towards the end of the 1990s. This is very funny stuff, but if you like what you hear, be sure to check out the full 70+ minute version on Rollins’ “Talk is Cheap Vol. 2” 2-CD set. I think the delivery of this tale is better on the longer version, but this is still a lot of fun.

