“Chickens–t” – John Cale

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A common misconception is that Lou Reed was the Prince of Darkness in the Velvet Underground. While Reed is pretty dark, many would argue that John Cale was the real dark one in the VU. Don’t believe me? Look at the Velvet Underground’s output once Cale left the group. With Cale, the Velvets recorded “Heroin,” “Venus in Furs,” “White Light/White Heat,” “Sister Ray,” and “The Gift.” Post Cale: “What Goes On,” “Jesus,” “Sweet Jane,” “Rock and Roll.”

Cale can dress things up beautifully with orchestral arrangements and lilting vocals (his best known song is arguably his cover of Leonard Cohen’s “Hallelujah” from the “Shrek” soundtrack) . But during the mid-late 1970s, Cale let his freak flag fly with some brilliant, disturbing, and very heavy stuff. “Chickens–t” is from Cale’s lesser-known post-Island records period, more specifically the 1977 EP “Animal Justice.” A wonderfully malevolent and sinister hard rock masterpiece.

“Hello It’s Me” – Lou Reed and John Cale

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From Reed and Cale’s tribute to Andy Warhol “Songs for Drella,” “Hello It’s Me” is the very moving, final song on the album: a blunt, but loving eulogy by Reed and Cale for their former mentor Warhol. Goodbye, Andy.

“What Goes On” – Bryan Ferry

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Two Velvets covers for the price of one. From one of Ferry’s better solo albums (1978’s “The Bride Stripped Bare”).  Ferry ingeniously mixes “Beginning to See the Light” with “What Goes On.” The late-70s production and guitar work by Waddy Wachtel (Warren Zevon’s right-hand man) lends the perfect touch.

“Candy Says” – Lou Reed and Antony

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A wonderful and lovely cover of the Velvet Underground’s song about Warhol superstar Candy Darling. From the Julian Schnabel-directed film “Lou Reed’s Berlin,” in my opinion, the DEFINITIVE version of this song. Dedicated to the Westboro Baptist Church, who have made two appearances in my area (one near my house, the other near my workplace) in the past few months.