“Brewster McCloud” (1970) dir. Robert Altman

Like the Coen Brothers’ 1998 classic “The Big Lebowski,”  Robert Altman’s “Brewster McCloud” is one of those films where you feel the filmmaker had a million different weird ideas that they always wanted to put into a film, but were inhibited due to budgetary, narrative, or time constraints.  When said filmmaker achieves some success and they can do anything they want, they throw all these weird ideas into one sort-of “f–k you” film, knowing they’ll never get another chance to be this far out again.

Like “Lebowski,” when you first see “McCloud,” at best, you may chuckle a little bit, but wonder how it all fits together.  At worst, you’ll roll your eyes and groan at the self-indulgence.  But if you give it a chance and watch it again … and again … the film will grow on you … big time.  And then you’ll really start to groove on the weird humor and characters.

In this case, “Brewster McCloud” was Altman’s first film after the blockbuster success of “M*A*S*H”.  I remember seeing this in a film class I took as an undergraduate and my friends and I left the auditorium scratching our heads and wondering “What the f–k was that?”  However, it was so twisted, weird, and funny, that I rented it on VHS when I came home on break and would pick it up over the years when I couldn’t find anything else to watch.   Watching it again recently, it actually seems ballsier and less politically correct than I remember many years ago.  This is a wonderfully rude, nasty, misanthropic comedy with probably the most tasteless final joke / line in a film … ever.  Seriously, it’s literally the last line in the film after the credits and it will either make you groan in disgust or laugh hysterically.   Dave says check it out.

As a bonus, check out screenwriter Larry Karaszewski’s (“The People v. Larry Flynt,” “Ed Wood”) commentary on the film from Trailers from Hell.

https://www.youtube.com/watch?v=ntcM7Plwha0

“He Needs Me” – Shelley Duvall / Harry Nilsson / Jon Brion (from the 1980 film “Popeye” dir. Robert Altman and the 2002 film “Punch-Drunk Love” dir. PT Anderson)

Video

“He Needs Me” was originally composed for Robert Altman’s 1980 musical version of “Popeye.” The film is hit or miss, but the scene where Duvall’s Olive Oyl sings this lovely song to Robin Williams’s Popeye is definitely the highlight of the film.

Cut to 2002. Altman acolyte and heir P.T. Anderson is putting together “Punch Drunk Love,” his follow-up to the brilliant “Magnolia.” “Punch Drunk Love” is a wonderfully bizarre, disturbing, and moving love story that plays like Sam Peckinpah directing “When Harry Met Sally.” Anderson appropriated “He Needs Me” (with the assistance of his frequent music composer Jon Brion) for a pivotal scene where Adam Sandler (in a rare, but terrific dramatic role) flies to Hawaii to woo Emily Watson’s character. It was a great choice.By the way, if you haven’t seen “Punch Drunk Love,” please do yourself a favor and see it. It’s not your typical love story, but it’s funny, disturbing, and life-affirming all at the same time. The scene where Sandler’s character forcefully confronts the criminal who’s been ruining his one chance at happiness with the line: “I have a love in my life. It makes me stronger than anything you can imagine” always brings a lump to my throat. A great scene from a great film.