“Satellite of Love” – Lou Reed from “Live: Take No Prisoners” (1978)

Video

https://www.youtube.com/watch?v=uloC5PkhsnM

If you’ve been following Dave’s Strange World, you’ll know how much I revere Reed’s legendary/infamous live album “Take No Prisoners.” Many dismiss “Prisoners” as a stand-up comedy album because Reed takes the opportunity to occasionally p–s on his enemies in vicious verbal asides. This is not one of those moments.

This version of “Satellite of Live” is far from slick, but it’s certainly heartfelt. His backing band is stunning and the background singers are beyond awesome. The finale, which starts 4:35 into the song is absolutely incredible and should be played at maximum volume.

“The Bed” – Lou Reed

http://www.youtube.com/watch?v=yAk6OKBQLxE

OK, if you’re even nominally depressed or down emotionally, please do not listen to this or watch this clip.  “The Bed” is from Lou Reed’s legendary downer of an album from 1973, “Berlin.”  “Berlin” was recorded after Reed achieved commercial success with “Walk on the Walk Side”  and almost 40 years later, is still considered one of the most perverse commercial moves in a major artist’s career. “Berlin” was produced by Bob Ezrin, the producing genius behind Alice Cooper’s brilliant early albums/singles and later, Pink Floyd’s downer masterpiece from 1979 “The Wall.”  “Berlin” is a tale of the downward spiral relationship between two meth junkies (Jim and Caroline), one of whom (Caroline) also seems to be mentally ill.  If anything, “Berlin” makes “The Wall” sound upbeat in its despairing view of humanity and the depths people can sink in their own self-destruction.  “Berlin” was dismissed as a perverse joke by some critics at the time, a maudlin wallowing in misery by others.  There was talk over the years of mounting a stage production of “Berlin,”, but poor sales and negative reviews of the album halted these ideas.

However, despite the bad state Reed was in when he recorded this album, the songwriting and production of “Berlin” are quite brilliant, and almost 40 years later, the album really holds up.  Reed (over 25 years sober) finally achieved his dream of performing the album in its entirety with a 30-piece orchestra and choir in 2007, which was brilliantly captured by Oscar-nominated director Julian Schnabel in the 2008 film “Lou Reed’s Berlin,” well worth checking out if you’re a fan of Reed, Schnabel, or Ezrin.

“Rock and Roll” – Detroit with Mitch Ryder

An early cover of The Velvet Underground’s “Rock and Roll” by Mitch Ryder’s post Detroit Wheels’ project with the guitars and volume cranked up.  Lou Reed famously said this version was superior to the Velvet’s version, which he confirmed by hiring the producer of this album (Bob Ezrin) for Reed’s 1973 album “Berlin” and guitarist Steve Hunter for his legendary “Rock and Roll Animal” tour.

 

“Looking for Love” – Lou Reed

http://www.youtube.com/watch?v=cVnW94Z2L8I

From Reed’s highly underrated album “The Bells” from 1979, comes this lovely homage to the Crystals and the Ronnettes, with a rollicking Phil Spector-ish saxophone and swinging beat carrying it along.  Reed was really onto something with his late 1970s Arista-label recordings in binaural sound.  They are truly a wonder to listen to even to this day.

“Walk on the Wild Side” – Lou Reed from “Live: Take No Prisoners” (1978)

An almost 17-minute live version of “Walk on the Wild Side” where Reed takes various breaks to talk about the genesis of this rock classic, along with other topics that are on his mind or get on his nerves (i.e. rock critics).  A really funny and interesting analysis by an artist of his work.

“What Goes On” – Bryan Ferry

Video

Two Velvets covers for the price of one. From one of Ferry’s better solo albums (1978’s “The Bride Stripped Bare”).  Ferry ingeniously mixes “Beginning to See the Light” with “What Goes On.” The late-70s production and guitar work by Waddy Wachtel (Warren Zevon’s right-hand man) lends the perfect touch.

“Waves of Fear” – Lou Reed

Video

http://www.youtube.com/watch?v=9KkFcQZw_TM

Lou Reed’s semi-comeback, at least with critics, circa 1982. Sober for approximately 2 years, Reed takes the opportunity to look at his years as an alcoholic and drug addict with graphic intensity. “Waves of Fear” makes the Velvet’s “Heroin” look like a romantic ballad (which in many ways, it kind of always was). The supremely sick dissonant, metallic guitar solos by Robert Quine are almost as disturbing as the lyrics.

“Street Hassle” from the 1978 album “Live: Take No Prisoners” – Lou Reed

Video

http://www.youtube.com/watch?v=yEr3z0THed4&feature=relmfu

Reed’s bone-chilling live version of his classic mini-rock opera “Street Hassle” from 1978.  The “Take No Prisoners” album is legendary among Reed fans as being a stand-up comedy album because Reed gets back at some of the critics that have bothered him.  However, I don’t think this is the “camp” masterpiece some people think it is.  I believe it may be his best solo album.  His band is phenomenal, the playing is powerful, the backup singers are terrific, and Reed, as f–ked up as he sounds, gives it his all.  This version of “Street Hassle” is particularly memorable, especially the middle section where Reed takes on the character of the callous dope dealer talking to a client about getting rid of someone he brought over who OD’d.  The way Reed spits out the lines is frightening and makes one believe he could have been a hell of an actor if he had gone down that road as an artist.  The guitar playing during the last third will make the hairs on your neck stand up.  A severely underrated masterpiece, even though Reed sounds really troubled and f–ked up on most of the songs.  Oh, and the binaural sound that Reed embraced at that time (and had the album recorded with) sounds absolutely smashing on CD.

Lyrics that stop me in my tracks every time:  “You know, some people got no choice … And they can never find a voice to talk with that they can even call their own … So the first thing that they see that allows them the right to be … Why they follow it, you know, it’s called bad luck.”