There’s a brilliant and crucial, nearly 6-minute scene from “Boogie Nights” that was deleted before its theatrical release set to Fleetwood Mac’s “Tusk” that should be seen by any fan of the film. In it, Becky Barnett (played by Nicole Ari Parker), the porn actress that got married to a Pep Boys manager, finds her new life outside the industry to be a nightmare of domestic violence, a scene all-too-common when a porn star marries a “civilian.” The civilian, in question, is turned on by the notion of being with a porn star, but paradoxically, can’t handle that person’s past. It’s the Madonna-whore complex at its ugliest. Becky calls on Dirk Diggler (played by Mark Wahlberg) to rescue her, but he’s so far gone on cocaine to be an effective savior for Becky, wrecking his car on the way to saving her.
It’s likely Anderson deleted the scene from the final film because of the film’s overall length (already at over 2.5 hours), but he also mentioned (in the DVD commentary) he thought this was too depressing a scene for a film that has enough dark moments in its last third and that by deleting it, he wanted to give at least one of his characters a happy ending (Becky’s wedding earlier in the film). While I don’t think the scene’s deletion detracts from the film, its inclusion would have made the final third more powerful, albeit more depressing. Still, at the end of the scene, there’s no clue what happens to Becky after she confronts her husband. So … as much as I admire this scene … Anderson probably made the best choice in deleting it. Given that, it’s still worth seeing. Please note that this is a very unpleasant scene to watch and is not safe for work or delicate sensibilities.
This is one of the many moving scenes from P.T. Anderson’s magnificent 1999 film “Magnolia.” This is the first date between John C. Reilly’s decent police officer character Jim and Melora Walters’ troubled Claudia character. This event occurs about 2/3 of the way into the film. Jim is a very good, compassionate man who feels tremendous guilt over losing his gun on the job. Claudia is a promiscuous drug addict trying to blot out an abusive childhood. On the grand scale of things, Jim’s troubles are far less severe than Claudia’s … but somehow, they seem to be meeting at the right time in the right place in their lives. Nobody in their right mind would EVER have a first date like this … but as we all know … if we’re lucky … we know that life is strange. And sometimes fate compels you to act in ways that you otherwise wouldn’t … because you have a strange hunch that the person you happened to just meet and sitting across from could potentially change your life for the better. Granted, a lot of people choose this path and wind up with someone who is a complete disaster. But sometimes it goes the other way, too.
This scene always brings a lump to my throat and is one of the best scenes in a film that I consider one of the best of the 1990s.
Number 3 on Dave’s Strange World’s all-time favorite films is P.T. Anderson’s magnificent epic film the L.A. porn industry between 1977 and 1984. It still amazes me to think that Anderson was only 27 when he made this film, because it exudes an artistic confidence that is rare in most films, let alone by young filmmakers making their 2nd feature.
“Boogie Nights” combines the delirious rock-n-roll rhythms of Scorsese’s “Goodfellas,” the successful juggling of multiple quirky, memorable characters / storylines (ala Robert Altman), and “Wouldn’t it be really f–kin’ cool if I tried this?” sense of danger / bravado of Tarantino. Like “Goodfellas,” it’s a 2.5 hour film that feels like its half its length. Anderson has gone on to make other brilliant films (“Magnolia,” “Punch Drunk Love,” “There Will be Blood”), but none of them are quite as breathtaking as “Boogie Nights.”
The scene here is the bravura sequence near the end of the film where Mark Wahlberg’s Dirk Diggler character (his success as a porn actor squandered on cocaine addiction), along with his pals (played by John C. Reilly and Thomas Jane) makes a desperate attempt to rip off a drug dealer. The scene is based on the infamous Wonderland murders from 1981 that involved John Holmes. Anderson’s use of 80s pop music in this scene is extraordinary … especially the use of Night Ranger’s “Sister Christian,” which takes on a deeper meaning, because the song is about the loss of innocence and it’s an ironic and sad counterpoint to the characters in this scene, who are long past that stage. The character with the firecrackers was a steal (with permission) from Robert Downey Sr.’s abrasively funny 1969 satire “Putney Swope.”
Because this scene involves substance abuse, graphic violence, and bad language, not safe for work or little ones.
From PT Anderson’s 1999 film “Magnolia,” the audacious scene where all of the lead characters (who are experiencing incredible emotional trauma) sing along to Aimee Mann’s tremendously emotional song “Wise Up.” A brilliant and artistically ballsy scene and one of the reasons PT Anderson is our generation’s greatest filmmaker.