Louis C.K. on people posting videos of their kids on Facebook


Louis C.K. lowers the boom on parents who video their kids and then post it on Facebook. A really funny diatribe … albeit, painfully so … as I am guilty of everything he’s talking about … except for the part where he discusses posting a video of a certain hidden part of your body on Facebook. THAT I haven’t done. I swear.  Definitely not safe for work.

Patton Oswalt on the Tragic Events in Boston today (from Facebook)

Boston. F–king horrible.

I remember, when 9/11 went down, my reaction was, “Well, I’ve had it with humanity.”

But I was wrong. I don’t know what’s going to be revealed to be behind all of this mayhem. One human insect or a poisonous mass of broken sociopaths.

But here’s what I DO know. If it’s one person or a HUNDRED people, that number is not even a fraction of a fraction of a fraction of a percent of the population on this planet. You watch the videos of the carnage and there are people running TOWARDS the destruction to help out. (Thanks FAKE Gallery founder and owner Paul Kozlowski for pointing this out to me). This is a giant planet and we’re lucky to live on it but there are prices and penalties incurred for the daily miracle of existence. One of them is, every once in awhile, the wiring of a tiny sliver of the species gets snarled and they’re pointed towards darkness.

But the vast majority stands against that darkness and, like white blood cells attacking a virus, they dilute and weaken and eventually wash away the evil doers and, more importantly, the damage they wreak. This is beyond religion or creed or nation. We would not be here if humanity were inherently evil. We’d have eaten ourselves alive long ago.

So when you spot violence, or bigotry, or intolerance or fear or just garden-variety misogyny, hatred or ignorance, just look it in the eye and think, “The good outnumber you, and we always will.”

“The Social Network” dir. David Fincher (2010)


In an otherwise laudatory review of David Fincher’s 2010 film “The Social Network,” Garry Mulholland offers this astute observation: “… (the film) plays one of the oldest Hollywood tricks in the book: the capitalist comfort-food trick. You know the one. You’ve spent your last pennies entering the cinema. All you can think about is your s–t job and whether you can afford the mortgage and you kids’ new shoes this month. And the next couple of hours of pictures puts an arm around you and tells you what you need to hear in order to just keep going until someone finally pays you a pitiful pension and consigns you to final years of visiting stately homes and being horrible to your family. It tells you the Rich aren’t happy. That they’re not as nice as you. That the reason that they have everything is actually because they’re not as nice as you … And this one has real legs, because it’s about real millionaires who are still alive and didn’t sue anyone when they were portrayed as bitter, greedy, elitist, misogynist a–wipes. So it must be true. Ergo, the reason you must accept your lot and play the game is because people don’t get money and power in this world unless they are soulless monsters. So accept your place, and like it. Because you’re nice.” Ouch!

By the way, Mulholland’s book on teen films (where this observation comes from), “Stranded at the Drive-In” is one of the most brilliant collections of cultual criticism I’ve seen in a long time. If you have any remote interest in this subject, pick this up IMMEDIATELY!!! And (yes, yes), it’s available in Kindle format.