“United 93” (2006) dir. Paul Greengrass

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I can completely understand why anyone would not want to watch this film. But please, don’t dismiss this as an exploitation film. Paul Greengrass’s “United 93” is an extremely intense, but respectful approximation of what happened on United flight 93 on September 11, 2001. So far, it is the best non-documentary film about what happened on that day and it’s the only film that brought me back to what it felt like on that day when it seemed like the entire world was falling apart. While I’m happy Scorsese finally got his Oscar for Best Director for “The Departed” in 2006 (a truly great film), he really should have won it for “Raging Bull” or “Goodfellas.” Greengrass should have won for Best Director that year (he was nominated). This is a film that won a lot of acclaim when it was released, but is almost forgotten about these days … maybe because most people don’t want to watch it.  But seriously, “United 93” is a very respectful, non-sensational film about the events on 9/11, even though it’s admittedly a very difficult film to watch.

“True Hollywood Story: The Producer and the Black Panther” by Kate Coleman, Salon.com

http://www.salon.com/2012/06/09/true_hollywood_story_the_producer_and_the_black_panther/

Bert Schneider was one of the most important film producers/executives in Hollywood history.   Schneider, along with his partners Bob Rafelson and Stephen Blauner, headed a production company called BBS Productions, which produced (among other films) the following classics: “Easy Rider” (1969), “Five Easy Pieces (1970), “The Last Picture Show” (1971), and “Hearts and Minds” (1974).   The BBS philosophy was, as long as filmmakers kept their budgets relatively low, the company would give them tremendous artistic freedom, a  freedom that resulted in some radical, legendary movies that defined what was called “The New Hollywood” … movies that also happened to be very successful at the box office.

However, there was a dark side to Schneider.  Per the accounts in Peter Biskind’s book “Easy Riders Raging Bulls” and other places, Schneider could be cruel … not only cuckholding friends and berating anyone he felt was his inferior (specifically screenwriters), but also indulging in extreme substance abuse.   Also, Schneider’s earnestness in supporting progressive causes sometimes led him down some dark paths.

This terrific article about Schneider, written for Salon.com by Kate Coleman, chronicles Schneider’s relationship with Black Panther Huey Newton.   There’s a lot of debate about Newton and his legacy.  I don’t know enough about Newton to say what’s true and what isn’t.  But despite whatever good he may have done, Newton was a troubled man and I don’t believe all of his troubles were the result of government conspiracies.  A really fascinating and dark tale about friendship and an era when “radical chic” sometimes blinded well-intentioned people.

“Who is Keyser Soze?” from “The Usual Suspects” (1995) dir. Bryan Singer, scr. Christopher McQuarrie

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One of the most bone-chilling scenes in cinematic history .. this is the back story of master criminal Keyser Soze … the much-feared boogeyman of Bryan Singer’s best film “The Usual Suspects.” As Kevin Spacey’s character Verbal Kint says: “Keaton always said, ‘I don’t believe in God, but I’m afraid of him.’ Well I believe in God, and the only thing that scares me is Keyser Soze.”

The other key line: “The greatest trick the Devil ever pulled was convincing the world he didn’t exist.”

The clip here is not safe for work. It’s not particularly bloody, but extremely disturbing.

“Like a Hurricane” – Roxy Music

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On the surface, this seems like a joke. Europe’s artiest rock band covering a song by America’s grungiest troubadour? Until you realize that this classic Neil Young song has all of the elements of Roxy Music’s best songs. The way Ferry and company cover this, it sounds like they could have written it themselves … even though Young’s version sounds quintessentially Young. Seriously, I’m hard pressed to say which one is better.

“Eleanor Rigby” – Stanley Jordan

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Wanna see something truly amazing? Check out this cover of the Beatles’ “Eleanor Rigby” by jazz guitarist Stanley Jordan. Watch his hands. They’re tapping the strings … not strumming. And he’s getting a very, very intense sound out of his instrument from what seems like very little effort … but not quite.  Because you know that someone has to know their instrument really really well in order to pull something like this off. Really mind-blowing stuff.

“Big Log” – Robert Plant

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Much of Robert Plant’s solo work during the 1980s is hit or miss. 1983’s “Big Log,” however, is quite remarkable. From the album “The Principle of Moments,” this is a terrific “night song” if there ever was one. This is a song that sounds just about right when you’re driving at 1:30 am, with little traffic or lights around you … when you’ve got nothing to distract you … and you start really thinking about stuff … especially with those Ennio Morricone-style guitars strumming in the background. Too cool.

“Dancing Barefoot” – Patti Smith Group

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Man, what a great song. This is a top contender for my favorite Patti Smith song of all-time, mainly because she co-wrote it. “Because the Night” may be her best known song, and while it’s very good … it’s a bit overplayed. I love the sinister groove “Dancing Barefoot” has and is one of the best “night songs” ever recorded. What’s a night song? It’s the kind of song that sounds just about right when you’re hearing it at 1:30 am. Pleasant dreams. From the 1979 album “Wave.” Produced by Todd Rundgren.

“Sad Song” – Lou Reed

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The closing song from Lou Reed’s perversely depressing masterpiece from 1973 “Berlin.”

Key lyrics: “Staring at my picture book … She looks like Mary, Queen of Scots … She seemed very regal to me … Just goes to show how wrong you can be … I’m gonna stop wastin’ my time … Somebody else would have broken both of her arms”

Leave it to Lou to write something both uplifting and completely creepy and depressing at the same time. Apparently, this was written and recorded during a particularly bad bender on Lou’s part. Ironically, it was immediately after the huge commercial success of the “Transformer” album.

“The Man Who Sold the World” – Nirvana / David Bowie

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When I first saw Nirvana’s MTV “Unplugged” appearance, I was pleasantly surprised by this really terrific cover of an otherwise obscure David Bowie song from 1971. I was VERY familiar with the song, being a big fan of Bowie’s pre-Ziggy Stardust album of the same name, which I remember buying on cassette from Fantasia Records in Charlottesville, VA in 1988. Bowie’s original album was quite trippy … and heavy … at the same time. To this day, a VERY underrated album. Thanks to Nirvana for giving the props to this extremely cool phase of Bowie’s career.

I’ve attached Bowie’s original here:

“California Songs” – Local H

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From the 2004 album “Whatever Happened to P.J. Soles?”, here’s the anti-LA song “California Songs”. Local H is from Illinois, but I swear based on the sentiment, they’ve lived in Washington or Oregon. Key lyrics: “Yeah, we know you love L.A … There’s nothing left to say … Please no more California Songs … And F–K New York, too!”  Sorry to all my friends in the Empire and Golden states, but this is damn funny.