“The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever” by Alan Sepinwall

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Since the late 1990s, it’s now a cliche to point out that television is more groundbreaking and artistically challenging than motion pictures.  Yes, we do get the occasional artistically challenging film (“Black Swan”), but the most artistically challenging subject matter is now on networks such as HBO, AMC, Showtime, etc.  Hollywood is more interested in churning out superhero sequels and conservative rom-coms than lead characters who are flawed.

“The Revolution Must Be Televised” by Alan Sepinwall is the first book to analyze these groundbreaking television shows and their impact on culture.  Sepinwall starts with the HBO show “Oz” and then devotes extensive analysis to shows like “The Sopranos,” “The Shield,” “The Wire,” “Buffy the Vampire Slayer,” “Mad Men,” and “Breaking Bad” … among other shows.   If you’re a fan of any of these shows, this book is a feast of behind-the-scenes details and cultural analyses.   The fact that it’s taken this long to see a book that chronicles and celebrates the late 1990s – new Milenium of artistically audacious series TV is proof enough that the medium is still not taken as seriously as film, which has become way more conservative than anyone could have ever imagined.

One criticism I have of Sepinwall’s book is the lack of focus on comedy.   With “Sex and the City,” “Arrested Development,” “Curb Your Enthusiasm,” and “Louis” in the bloodstream, you wonder why he didn’t give a token shout-out to these revolutionary shows.   But what’s there in this book is very, very good.  And if you’re a fan of any of these shows … or just a fan of quality drama … this book is a must.

“Swimming with Sharks” (1994) dir. George Huang

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One of the best (and sadly forgotten) indies from the mid-1990s is George Huang’s dark Hollywood satire “Swimming with Sharks.” “Sharks” is “The Player” filtered through David Mamet and contains one of Kevin Spacey’s finest performances as the Satanic studio executive Buddy Ackerman. The verbal brutality Spacey’s character inflicts on his underling, played by Frank Whaley, is alternately frightening and … darkly funny (if you’re in a particularly sick mood). Attached is the infamous scene where Whaley gives Spacey a packet of Equal instead of Sweet ‘n’ Low. Key dialogue: “You … have … no … brain. No judgement calls are necessary. What you think means nothing. What you feel means (heh-heh) nothing.”

“I’m Not Sayin'” – The Replacements

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Wow! New music by the Replacements, back together for a benefit EP for Replacements member Slim Dunlap who suffered a stroke last year and who will likely need round the clock care for the rest of his life, which his insurance doesn’t cover.

“I’m Not Sayin'” is a rockin’ cover of a terrific Gordon Lightfoot song, that was also covered by Nico in the 1960s (both versions were posted a while back on Dave’s Strange World). It’s nice to hear the Placemats back so strongly. And if you like what you hear, download the “Songs for Slim” EP from iTunes, Amazon, or from some other legitimate source. Proceeds are to help Slim. More details can be found below:

http://www.songsforslim.com

“Sail Away” – Randy Newman

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http://www.youtube.com/watch?v=chaP4MCXp4w

Easily one of the most despairing and devastating songs ever written, “Sail Away” is a song written from the perspective of a slave trader extolling the virtues of America to a group of Africans back in the 1800s to lure them aboard ships. As much as the lyrics present America as a land of endless fun and opportunity, the sad, plaintive piano arrangement speaks otherwise. One of Randy Newman’s best songs, “Sail Away” proves that satire doesn’t always have to be “funny” to be effective. It can sometimes make you shiver with fear and sadness.

“Once in a Lifetime” – Talking Heads (from the 1984 film “Stop Making Sense” dir. Jonathan Demme)

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http://www.youtube.com/watch?v=ui5mQE-yIFo

Damn, this live version of “Once in a Lifetime” is so iconic of the first half of the 1980s. This played on MTV and USA’s “Night Flight” relentlessly for a 9-month period between 1984 and 1985. As much as I loved this, I got really, really sick of it at the time. But distance does make the heart grow fonder. And seeing it for the first time in several years makes me appreciate what a great job not only the Talking Heads did here, but what Jonathan Demme did with making the amazing concert film “Stop Making Sense” in 1984. Demme’s had some setbacks since his Oscar win for “The Silence of the Lambs,” but as “Rachel Getting Married” proved, don’t ever count Demme out. The man has made some great, great films.

I remember seeing this at least 4-5 times as a midnight movie at the Naro Theater in Norfolk, Virginia back in the 1980s. The theater was always packed and they always had to stop the movie at least 4-5 times due to multiple people dancing in front of the screen. Yes, there were THAT many people dancing in front of the screen that they literally had to stop the movie until people sat down … multiple times.

“Tranvestite Hooker Incident” – Doug Stanhope

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http://www.youtube.com/watch?v=3aX6C-7MlJ0

I’ve always had a strong stomach when it comes to “controversial” material from comedians. But Stanhope is literally the only one that has made me shake my head repeatedly saying “My God, that’s so WRONG!” … Of course, while laughing harder than I’ve ever laughed in my life.

The great thing about Stanhope isn’t that he says shocking things … but that he says them so casually and effortlessly. He’s one of the few comedians who probably has actually lived all of the embarrassing, brain and soul searing things he’s ever talked about.

This is the infamous “Tranvestite Hooker Incident” monologue from the superb (and rightfully titled) “Sicko” album. Hysterically funny and shocking stuff, but definitely not safe for work or little ones. Seriously, even if you think you can handle strong material, this is probably beyond your limits. Hopefully, you’ll be laughing too much to care.  Key line:  “YOU stood in line to …  And where’s my $7.50?!?”  Ah… if you dare to listen, you’ll understand.  Don’t say I didn’t warn ya …

“The Three Martini Lunch” – Graham Parker

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A stunning acoustic number by Graham Parker about hustling success in Hollywood … amidst a downward spiral of decreasing prospects with an unhealthy dose of boozing and drugs. Key line: “Things will get better soon … I’ve got a hunch.” From the 1989 album “Live! Alone in America.”

“The King of Kong: A Fistful of Quarters” (2007) dir. Seth Gordon

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One of the best documentaries ever made … hell, one of the best movies I’ve EVER SEEN is the 2007 film “The King of Kong: A Fistful of Quarters.” The film chronicles a real-life battle between two men for the world “Donkey Kong” champion. Yes, that’s “Donkey Kong” the video game.

On the surface, the premise may seem silly, weird, geeky, trite, and more than a little precious. But damn, “The King of Kong” is so much deeper than that. I’m not kidding or being facetious when I say that “The King of Kong” is more exciting, suspenseful, and thrilling than almost any big-budget Hollywood blockbuster of the last several years. Much of this looks like a Christopher Guest mockumentary or a Robert Altman-directed eccentricity fest. But it’s totally real. And the fact that it’s a documentary only makes it more riveting. This could potentially be the best Erroll Morris film Erroll Morris never made.

If you’ve never seen this film, it’s a total must-see. I promise you it’s one of the most exhilarating and fun films you’ll ever watch.

http://www.youtube.com/watch?v=vAYvVQjluNk