Scenes from one of my favorite films of the last decade. Directed by the man who made the brilliant documentary “Crumb” and the wonderfully rancid Christmas movie “Bad Santa.”
Scenes from one of my favorite films of the last decade. Directed by the man who made the brilliant documentary “Crumb” and the wonderfully rancid Christmas movie “Bad Santa.”
A pre-“Joey” Concrete Blonde doing a very cool, more commercial version of the band X. Lots of aggressive guitars, lyrics about the sleazy side of Hollywood, and very rockin’! Just try not to hop around the room to this.
I almost posted the decent cover of this warhorse done by Nick Cave and Shane McGowan, but this version is not only better, it has taken on added poignancy since it was on Joey’s posthumously released album “Don’t Worry about Me.” RIP, Joey!
The masters of the crazy rhythms crank up the tempo on this stellar cover of the Stones classic. Recorded in 1990 and included on the A&M reissue of their 1980 album “Crazy Rhythms,” though you’d never know it based on the energy they bring to it.
From the Velvet’s 3rd, self-titled album. Love the guitar and organ work on this song.
The ending to director Robert Altman’s funny, brutal, bone-chilling satire from 1975, “Nashville,” one the greatest movies of all time. The scene starts right after the assassination of a Loretta Lynn-inspired Country singer and a wannabe singer played by Barbara Harris is given the mic to restore order and peace in the wake of a horrific tragedy. Some critics have opined that this scene is a cynical statement on celebrity, but I see it as something more profound. When tragedies happen, whether they be celebrity assassinations (i.e. John Lennon) or something substantially more catastrophic (9/11), people need hope. People need to know that things are going to be OK. It’s too easy to sneer and snicker that the world is a horrible place, that humans are horrible motherfu–ers who only look after themselves. The notion and belief that there is a better way is way ballsier, in my mind. If you feel this is a Pollyanna-esque view, I disagree and feel sorry for you. Making the decision to believe in something is not a fool’s errand. If you’ve done your homework and take a stand, it’s the most courageous thing you can do.
Any resemblance to real persons, living or dead, is purely coincidental.
A smokin’ late 1970s blues-punk cover of the Rolling Stones’s flower-power anthem “We Love You.” Very reminiscent of Australia’s The Saints, Cock Sparrer were a terrific band that just seemed to never catch a break. Rumor has it that Malcolm McLaren was apparently interested in the band, but the band dismissed him because he wouldn’t buy them a round. They signed to Decca Records during that storied label’s final days and only managed to see their records released in Spain. They hung in there, recorded some good albums, but never quite achieved the commercial success they deserved. Highly recommended is the “Rarities” album which compiles all of the recordings they made for Decca. A truly underrated album for the ages.
OK, this is a lovely (sounding) song from the Stones’ terrific 1967 folk-influenced album “Between the Buttons.” I love the album and it’s highly regarded by many, but it’s an album which Mick Jagger allegedly dismisses these days as “rubbish,” except oddly (or tellingly) for this song. “Girl” sounds pretty, but arguably makes “Stupid Girl” and “Under My Thumb” sound like outtakes from Lilith Fair. Of course, Jagger and the gang could be doing an ironic Randy Newman-esque take on a sleazy, phliandering rich guy, which I would buy … except for the fact that I’m sure that the attitude of the song’s narrator is not far from the way they probably felt about women back in the day. A great song with contradictory and often troubling messages? Hmm … sounds like the Stones to me in a nutshell.
Another killer track from the “War Child” benefit album, “Heroes.” This time it’s Peaches doing a Neu!-style cover of Iggy and the Stooges’ classic punk song from hell “Search and Destroy.” Extra kudos to Peaches for doing a VERY non-standard, but stupendous version of this raver.