5. “Slap Shot” (1977) dir. George Roy Hill

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Number 5 on Dave’s Strange World’s all-time favorite films is the hysterically funny and beyond politically incorrect hockey film “Slap Shot.” This was considered a ballsy movie in its day, but nowadays, forget about it. No studio executive would dare greenlight a project this nasty, violent, and crude. It’s too bad, because Oscar-winning director George Roy Hill and Hollywood legend Paul Newman saw a lot of merit in Nancy Dowd’s foul-mouthed script about the down-and-dirty world of minor-league hockey. And yes, “Slap Shot” (like “Scarface” and “Pulp Fiction”) is considered a classic PRECISELY because it’s so over-the-top and rude.

The attached scene is Newman’s hilarious introduction to the infamous “Hanson Brothers.” I used to think the Hansons were based on the Ramones (especially based on Dowd’s interest in punk rock), until I read that the Hansons are totally REAL! Key line: “They’re too dumb to play with themselves!” Yes, my friends, NOT safe for work or little ones.

“Chameleon Street” (1989) dir. Wendell B. Harris, Jr.

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Winner of the 1990 Grand Jury Prize at the Sundance Film Festival comes this extremely odd, hilariously subversive, and sadly forgotten film by Wendell B. Harris, Jr. Based on a true story, it’s about a con man named William Douglas Street who impersonates a reporter, a doctor, an attorney, and many others in order to pursue the American dream. A tremendously cool film on so many levels. The lead character is not entirely likeable (and a bit of a sociopath), but he’s got a wonderfully funny and disdainful view of the world. The sense of humor is sly and not immediately apparent, but if you can get into the groove of it, it’s a real trip.

“Modern Romance” (1981) dir. Albert Brooks

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Before Larry David’s “Curb Your Enthusiasm,” there was the brilliant cringe-inducing comedy of Albert Brooks. And if there’s a comedy you have to watch through your fingers, it’s 1981’s “Modern Romance.” Brooks plays the most annoyingly neurotic character in movie history trying to deal with a romantic breakup. It’s extremely funny, but will make you hide your eyes.

This is the infamous scene where Brooks’s character decides he wants to take up jogging after his breakup and his encounter with a sporting goods store salesman is priceless. The salesman is played by Brooks’s brother Bob Einstein, who later went on to play Marty Funkhouser on “Curb Your Enthusiasm.” I feel this way every time I walk into Jiffy Lube.

Robert Evans on producing “The Godfather” from his autobiographical film “The Kid Stays in the Picture” (2002)

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An excerpt from producer/studio executive Robert Evans’ beyond brilliant audiobook version of his autobiography “The Kid Stays in the Picture.” This is the part where he discusses the making of “The Godfather.” The audiobook was so highly regarded that it was turned into a documentary in 2002, directed by Nanette Burstein and Brett Morgen. One of the fringe benefits of having an allergy attack is that I get to talk like Robert Evans. Does it annoy my wife? You bet your ass it does!

6. “Ed Wood” (1994) dir. Tim Burton

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Number 6 on Dave’s Strange World’s list of all-time favorite films is Tim Burton’s outrageous and loving biopic of the legendary “World’s Worst Filmmaker” Ed Wood, starring Johnny Depp as Wood. A lot of the films on the Sight and Sound list of World’s Best films (as well as my own list) center around the world of filmmaking.

Having a dream can be a dangerous thing.  In this country, they say if you work hard enough and persevere, you can achieve anything.  While hard work is essential towards achieving any dream, you also need talent and luck.  Wood had passion to burn, but lacked the taste and talent to become who he wanted to be: Orson Welles.

However, you have to have the dream first.  Granted, it helps if you know your limitations and are non-delusional.  But at some point you do need to have a leap of faith to potentially achieve the sublime.  Only those crazy and courageous enough to pursue their dream always go farther than those who never try.

Which is why I love this scene where Wood, frustrated after disagreements with the producers of his film (and wearing a dress, because that’s what made Wood feel most comfortable), storms off to a bar and runs into his hero, Orson Welles.  I imagine this encounter was the invention of the writers, but it’s still a marvelous scene.  Tellingly, Welles doesn’t flinch when he sees Wood dressed in drag and wearing a hideous mustache.  As Welles tells Wood, “Visions are worth fighting for. Why spend your life making someone else’s dreams?” Just because it’s being said to someone who probably never should have been a director doesn’t make it any less true.

“Freeway” (1996) dir. Matthew Bright

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At what point does an exploitation film become an art film? Take for example, the nasty, but incredibly fun suspense thriller “Freeway” from 1996. “Freeway” updates the “Little Red Riding Hood” story to modern times, but the heroine is not the sweet, innocent girl she is in the fairy tale. While Reese Witherspoon’s teenage character Vanessa Lutz has been dealt a lot of bad cards in life, make no mistake, Vanessa is really f–king scary! Even scarier is Kiefer Sutherland’s child psychologist Bob Wolverton (Wolverton = wolf, get it?) who moonlights as a serial killer of hitchhikers and prostitutes. Anyway, Bob picks up the wrong girl with Vanessa and as the attached trailer shows, turns the tables on Bob. Lots of trouble ensues …

Make no mistake, this is one sleazy tale, but it’s gleefully sleazy and doesn’t pretend otherwise. However, the acting (especially by Witherspoon and Sutherland), script, and direction are all top notch. And it proves that just because you’re making an exploitation film, it doesn’t mean that it has to be crappy. It’s too bad Bright’s directing career didn’t take off after “Freeway.” Let’s just say he’s made some “interesting” choices since then. And while the trailer is fairly cheesy, this is by no means is indicative of the quality of the film. If you have the stomach for it, “Freeway” is a wonderfully sick thrill ride.