“Pills” – Bo Diddley

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I first heard this song when the New York Dolls did a very different hard rock/punk cover on their 1973 self-titled debut album.  It’s clear from the Bo Diddley version that the “pills” he’s referring to is a sexual metaphor for the “rock and roll nurse” that went to his head.  The Dolls’ version, on the other hand, may actually have no metaphor attached.  Given that band’s legendary chemical intake, they could have just been talking about “the pills.”  In any case, both versions are great and I’m giving a shout out to the original Bo Diddley version which probably doesn’t get as much play these days.

“Right Back Where We Started From” – Maxine Nightingale

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A terrific pop song from the 1970s that was not only a big hit in the States (#2 on the Billboard singles charts), but was also used effectively in the raunchy Paul Newman-starring, George Roy Hill-directed hockey comedy “Slap Shot” throughout several moments in that classic film.  A wonderfully upbeat song that never ceases to bring a smile to my face.

“Baker Street” – Gerry Rafferty

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http://www.youtube.com/watch?v=lSIw09oqsYo

This was a huge hit in 1978 and the album it came from, “City to City,” was the album that finally knocked the “Saturday Night Fever” soundtrack from the #1 position on the Billboard album chart that year.   I remember really liking this song back in the day and remember it being a favorite of my Dad’s as well.  One of the few times my Dad and I fully agreed on a piece of pop culture.

“Romeo’s Tune” – Steve Forbert

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http://www.youtube.com/watch?v=laQMcH8E_-A

A splendid rock ballad from the original Jack Rabbit Slim.  Forbert may have been a one-hit wonder, but my, what a hit (it went all the way to #11 on the Billboard singles chart in 1980).  Dedicated to the memory of Florence Ballard of the Supremes, not because the lyrics have anything to do with Ballard, but as Forbert said “That seemed like such bad news to me and such sad news. She wasn’t really taken care of by the music business, which is not a new story.”  He deserved greater success than he achieved, but it was nice that Tarantino named the 50s retro club in “Pulp Fiction” after Forbert’s album “Jackrabbit Slim.”

“Criminal Inside Me” – R.L. Burnside

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This is from Burnside’s great punk blues album “A Ass Pocket of Whiskey” from 1996, produced by the great Jon Spencer. A nice, malevolent groove, but loads of bad language on this one, so not work or family safe.

“Bell Boy” – The Who

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http://www.youtube.com/watch?v=GD4u4sIjHmY

The best song from what I would describe as the British “Catcher in the Rye”. This is the song where our protagonist Jimmy discovers his ass-kicking hero, Ace Face, is actually (gulp) a bellboy who licks the boots of people Jimmy despises.

This is the final straw for Jimmy and leads to the ambiguous finale where Jimmy either dies or becomes an adult (which in Jimmy’s mind is the same thing). Yes, on one level this is quite silly once you’ve become an adult and see it from the other side, but when you’re not quite a grownup, sometimes this s–t really seems like life and death. To Pete Townshend’s credit (and Franc Roddam’s, who directed the 1979 film version), he takes Jimmy’s issues seriously without actually supporting them. The Criterion Collection released the film version on Blu-Ray in August 2012 with all the usual bells and whistles. From what I’ve read, it was quite a cultural phenomenon in Britain back in the late 1970s. Johnny Rotten almost got the lead role, and while he would have been interesting, I’m much happier they went with Phil Daniels. A great flick.

“Everything is an Afterthought: The Life and Writings of Paul Nelson” by Kevin Avery

One of the best books I’ve read this year is Kevin Avery’s biography / anthology of rock writer Paul Nelson, called “Everything is an Afterthought: The Life and Writings of Paul Nelson”.  Most people have no idea who Nelson was, but he was an integral part of rock history between the 1960s and 1980s.  He knew Bob Dylan when he was still Robert Zimmerman at the University of Minnesota and introduced Dylan/Zimmerman to a lot of rare folk recordings that wound up being Dylan staples.  He was also one of the few folk critics at the time who supported Dylan’s move to rock in the mid-1960s.  He worked for Mercury Records in the early 1970s, and Nelson was not only Rod Stewart’s favorite Mercury employee (Stewart was Mercury’s biggest star at that time), but Nelson also signed the New York Dolls.  As a critic for Rolling Stone, he also championed Bruce Springsteen, the Sex Pistols, and the Ramones early in their careers.   He also wrote about and became friends with Jackson Browne, Warren Zevon, and Clint Eastwood.   In the early 1980s, he drifted away from his career as a writer/editor and had difficulty meeting deadlines or completing articles.  He worked at a video store during the last years of his life and then gradually lost touch with reality.  He died penniless and alone, a sad end to a brilliant career.

“Everything is an Afterthought” is a loving tribute to a writer who deserved bigger and better success than his demons would allow.   It’s clear from the testimonials and interviews given for this book how loved Nelson was by his colleagues and friends (i.e. Nick Tosches, Greil Marcus, Dave Marsh, Jonathan Lethem).  Special thanks to Avery, as well as Seattle’s Fantagraphics Books for having the vision and passion to bring us this story.

“Crumb” (1995) dir. Terry Zwigoff

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Probably the best documentary film I’ve ever seen and a candidate for one of the best movies ever made.  This documentary about legendary, controversial cartoonist Robert Crumb is one of the best portraits of an artist ever put on film, as well as one of the best portrayals of the relationship between an artist and artist ever.  At least that’s how I tried to sell it to a woman I dated in 1996 when I stupidly took her to see this.  I believed what I said then, as I do now.  But having said that, of course, I now realize this is probably the most boneheaded choice for a date movie of all time. Needless to say, the date was a total disaster. I could give you a lengthy, verbose description of the evening, but I think the YouTube trailer will tell you all you need to know about why this was not a good choice. Seriously, only a grad student (which I was at the time) could be this fundamentally stupid.