“Breakdown” – Guns N’ Roses

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The “Use Your Illusion I & II” CDs were quite the unwieldy spectacle. The equivalent of 4 old-fashioned LPs of material composed over a 2-3 year period, it’s a journey through highs and lows. And yes, most everyone agrees the best stuff should have just been put on one CD and be done with it. “Breakdown” is one of those tracks, if not, the BEST track from the whole shebang.

“Wonderful Remark” – Van Morrison

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My favorite Van Morrison song. I first heard it nearly 30 years ago over the end credits of Martin Scorsese’s “The King of Comedy.” Until it appeared on Van’s mega-selling “Best Of” album from 1990, the only place you could find it was “The King of Comedy” soundtrack which went out of print almost as soon as it was released. Since the song was nearly impossible to find and I loved “King,” I would always watch the film through the end credits to listen to it.

“I Don’t Know Why (I Love You)” – The Rolling Stones

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The Stones do a stellar version of this 1968 Stevie Wonder classic.  It was recorded in 1969, but not released as a single until 1975, when it appeared on the odds and ends album “Metamorphosis.”  It’s also included on the Stones box set “The Singles Collection.”  Wonder’s original version appeared on his album “For Once in My Life” and was the B-side of his single “My Cherie Amour.”

“Loveless Love” – The Feelies

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From the 1980 album “Crazy Rhythms” (and if that’s not an accurate title, I don’t know what is). The Feelies play faster than almost anyone (including hardcore and speedcore bands), but with very little distortion. Very clean guitar lines, muted but still powerful percussion. The experience of this song is a lot like that “friend” who used to stand in front of you, put their hands together, tell you are travelling down a road at night, pulling their hands apart more and more rapidly, and then knocking you in the head and saying “Tree!” The difference with the Feelies is that there is no tree. A lot of insane buildup and perversely, no climax, or a very muted climax at best.

“Auto Focus” (2002) dir. Paul Schrader

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One of the funniest and creepiest movies of the last decade is Paul Schrader’s corrosive biopic of the late “Hogan’s Heroes” star Bob Crane.  Crane was what we would now describe as a “sex addict,” whose obsession and weird friendship with a man who shared that lifestyle with him (as the film alleges) ultimately killed Crane.   What’s interesting about “Auto Focus” is how director Schrader so accurately depicts a man with absolutely zero self-awareness.  As Schrader put it in a terrific interview with Uju Asika on Salon.com when the movie was released: “… when I’ve dealt with characters like this before, these existential loners, they tend to be introspective. They don’t get it, but they’re trying to figure out how to get it. The interesting thing to me about Crane was that he was not only clueless, he was clueless about being clueless. And I think his greatest flaw wasn’t sex, it was selfishness. Hence the title. I don’t think he understood or appreciated how his actions affected other people. It was just sort of blithe egoism. So the challenge then was to try to make a film about a superficial character that wasn’t a superficial film.”    He also described Crane and his partner-in-crime John Carpenter:  “You take these kind of Rat Pack guys who have to trade in their narrow ties for beads and bell bottoms in order to score chicks. But of course they remain the same sexist jerks they always were. It’s a fascinating period in American male sexual identity.”  In my opinion, Schrader’s best film as a director, slightly edging out 1978’s “Blue Collar” and 1979’s “Hardcore.”