From the otherwise relentlessly intense 2nd album by Wire “Chairs Missing” comes the mellow and melodic “Outdoor Miner.” As perfect a post-punk pop song that you’re likely to find … and only 1:45.
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“Going Blind” – The Melvins
Video
http://www.youtube.com/watch?v=1qofughi9rg
A terrific sludge metal cover of an early KISS classic, by Aberdeen, Washington’s The Melvins. I’ve never confirmed for sure if this track was produced by an obscure former Melvins roadie named Kurt Cobain, but this is some extremely heavy, artery-clogging s–t that makes Black Sabbath sound like Wham! If you could make music out of a quaalude, it would sound like this.
“Stay Away from Downtown” – Redd Kross
Video
The American punk pop pioneers from hardcore’s glory years returned in 2012 with a lo-fi, but hooky and criminally catchy fist pumper. It’s nice to see a band whose band members are in their late 40s/early 50s still rocking harder than younger angst-filled cretins. From the album “Researching the Blues.”
“Death Valley ’69” – Sonic Youth with Lydia Lunch
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From the 1985 album “Bad Moon Rising,” “Death Valley ’69” is Sonic Youth’s take on the Manson murders. It’s the first Sonic Youth song I ever heard and is still my favorite.
I remember seeing this very disturbing video uncut for the first time on the phenomenal (and long gone) late-night USA Network show “Night Flight” back in the mid-1980s and it completely blew me away. The video is directed by Judith Barry and famed underground filmmaker/photographer Richard Kern. The video has a lot of graphic violence and is not safe for work or little ones.
“Sunny Afternoon” – The Kinks
Video
http://www.youtube.com/watch?v=1h1oRP7FfBw
Another stroke of genius from the Kinks. At face value, this song could be taken as the lament of a rich man bitching about “mo’ money, mo’ problems.” But Ray Davies and the gang have always been a bit more complex than that. Granted, Davies has never shied away from being the contrarian and the lyrics of this song could represent his genuine disgust over having to pay taxes. But he’s such an ironic bastard, he could be laughing at the rich man bitching about his taxes. Confuse and conquer is not a bad motto for an artist on the make. You decide.
“Wake Me Up When September Ends” – Green Day
Video
One of the finest ballads of the last decade and a song that took on special meaning post-Katrina. The accompanying video, starring Evan Rachel Wood and Jamie Bell as a young couple dealing with a difficult choice one of them makes, may not present the most original story. But it doesn’t mean it doesn’t ring true.
“Backstreet Girl” – Social Distortion
Video
Pre-major label Social D. covers one of the Rolling Stones’ most beautiful and most troubling songs.
The original is a lovely-sounding acoustic ballad, where the protagonist is a rich guy who tells his mistress in no uncertain terms what her place is in his life. As I said earlier about the Stones’ original, “Jagger and the gang could be doing an ironic Randy Newman-esque take on a sleazy, phliandering rich guy, which I would buy … except for the fact that I’m sure that the attitude of the song’s narrator is not far from the way they probably felt about women back in the day. A great song with contradictory and often troubling messages? Hmm … sounds like the Stones to me in a nutshell.”
Social D. says “Ah, bulls–t!” to such nonsense and just bashes through the song as Social D. is wont to do. I can’t say that they’re wrong in their approach.
“Baadasssss!” (2003) dir. Mario Van Peebles
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“Baadasssss!” is Mario Van Peebles’ personal tale of the trials and tribulations his father Melvin Van Peebles went through in making his revolutionary independent film “Sweet Sweetback’s Baadasssss Song” in 1971, a film that had as its tagline “Rated X by an all-white jury.”
Mario’s father Melvin had just had a box-office hit with “The Watermelon Man” and everyone in Hollywood wanted to sign Melvin up for his next film. But Melvin had different ideas. He wanted to make a film that would be authentically raw and street, but the moneymen and Hollywood moguls were terrified and said no. So Melvin raised the money on his own and created a truly revolutionary film for its time. This process did come at a price though, especially for his family and his son, Mario.
However, the rest is film history and “Baadasssss!” is one of the rawest and best True Hollywood Stories you’ll ever see. It’s a very sincere attempt by a son to honestly (and sometimes painfully) portray a father’s genius and shortcomings without giving short-shrift to either. One of the best films of the past decade, one of the best films about filmmaking ever made, and one of the best films I’ve ever seen period.
“Acid Queen” – Tina Turner (from Ken Russell’s 1975 film of the “The Who’s Tommy”)
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From Ken Russell’s wonderfully bats–t crazy and psychedelic visualization of The Who’s rock opera “Tommy,” is Tina Turner’s wild version of “Acid Queen.” Even wilder was that both David Bowie and Lou Reed were considered for the part eventually played by Turner. Due to heavy drug and sex references, not safe for work. However, I should note that this was a PG-rated film back in 1975. My how things have changed.
“Trouble at the Cup / Loner with a Boner / Sperm Bank Baby” – Black Randy and the Metrosquad
Video
https://www.youtube.com/watch?v=O3KBdWCug7E
A triple shot from the infamous Black Randy from the equally infamous and brilliantly titled (and damn near hard to find) album “Pass the Dust, I Think I’m Bowie.” To call Black Randy a character is an understatement. His antics back in the day were easily one of the major highlights of Marc Spitz and Brenden Mullen’s definitive oral history of LA punk “We Got the Neutron Bomb,” which should be a staple in any respectable deviant’s library.