“The Top” (1984) with Andy Kaufman, Dan Aykroyd, Rodney Dangerfield, etc.

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If this seems like a really bad attempt at avant-garde humor/entertainment, you’d be correct. Why am I posting it here? Because it’s an extremely rare debacle that involved a lot of famous people doing a favor for someone named David Jove. Jove was the producer of the infamous (and truly great) early 1980s hardcore punk cable TV show “New Wave Theater.” When that show’s host Peter Ivers was murdered in 1983, some of Ivers’ friends tried to help Jove get a new show started.

“The Top” is similar to “New Wave Theater” in tone, but with a lot more money thrown at it and a lot less balls and heart. Originally Chevy Chase was hired to host, but when he got stuck in the middle of a spontaneous slam-dancing session which he had no knowledge of, he fled the studio and the producers hired Andy Kaufman instead. This was Kaufman’s last live appearance and sadly, it’s not particularly good. Still, it’s a good example of what sometimes happens when the avant-garde tries to go mainstream.

“Larry David v. Susie Green” …A “Curb Your Enthusiasm” Anthology

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Here’s an almost 10-minute compilation of some of the funniest verbal abuse in TV history. It’s an anthology of Susie Green (wonderfully played by Susie Essman) dressing down Larry David’s character on “Curb Your Enthusiasm” from multiple episodes/seasons. Susie may seem unnecessarily harsh, but to be fair, Larry is an insufferably neurotic maniac who doesn’t always make the best choices. Not safe for work by any stretch of the imagination. But no one can sling an f-bomb like Susie Green.

“Handbags and Gladrags” – Rod Stewart

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Recognize this one? A cover of this was the theme of the UK version of the seminal comedy TV show “The Office.” However, the song was originally written by Manfred Mann’s Mike D’Abo. This version by Rod Stewart from his first solo album in 1969 (called “An Old Raincoat Won’t Ever Let You Down” in the UK, but was released as “The Rod Stewart Album” in America). Makes you almost forget about “Tonight’s the Night” or “D’Ya Think I’m Sexy?”

“The #1 One Hits of the 60s” commercial with Mickey Dolenz

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I remember seeing this really cheesy ad for a 4-record set of 1960s songs (starring Mickey Dolenz of the Monkees) when I was about 4 or 5 years old and asking for the album for either my birthday or Christmas. I remember playing it constantly and it was my first introduction to so-called pop music back in the day.

Unfortunately, the person who uploaded this vintage commercial decided to have some words in red font annoyingly travel across the screen while you’re watching the clip.

“Caroline Says II” – Lou Reed (performed live on “Late Night With David Letterman” 10-10-2008)

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A great performance of one of the more memorable (albeit extremely depressing) songs from Lou Reed’s stellar 1973 song cycle “Berlin.” If you like what you hear, you should check out the original album, or the brilliant 2007 film adaptation (lensed by Oscar-nominated director Julian Schnabel) called “Lou Reed’s Berlin.”

A certain kind of horrible boss … as seen in the BBC version of “The Office”

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The original BBC version of “The Office,” with Ricky Gervais, is one of the best TV series ever created.  While the American version with Steve Carrell is very good, it gingerly avoids the darkness that makes the British version arguably funnier … and much more painful to watch.  Carrell’s Michael Scott may be a pathetic, delusional human being, but his character is nowhere near as pathetic or delusional as Gervais’s David Brent.  And unlike Scott, Brent pays dearly for his delusions and the BBC version doesn’t let you off with a laugh at Brent’s expense.

I could talk in detail about how great the BBC version is, but I won’t.  Mainly because I have nothing to add to the many brilliant things already written about it.   However, the reason I’m talking about it now is how “The Office” brings to light a certain kind of horrible boss that we all know about, but until “The Office” (BBC version) so clearly articulated it, was hard to define.  When people think of horrible bosses, most people would identify the obvious tropes: the yellers/screamers, the micromanagers, the sexual harrassers, the bigots, the homophobes, the religious fanatics, the anti-religious bigots, the smarmy passive-aggressive types (best exemplified by Gary Cole’s Lumbergh character from “Office Space”), etc.  Yes, all of these types sadly still exist and admittedly, are probably worse than the type of boss that Brent represents.

Yet, Brent epitomizes what I call the “disengaged boss.”  A “disengaged boss” is not necessarily a bad person (though sometimes they are).  They are bosses who tend to be either severely distracted (either by drama outside of work or other activities) and/or have no interest at all in actually leading.  They may have an interest in being “the boss” because the job pays more, the job holds more prestige, and it may lead to something that pays even better and has more prestige.   But they care little about the people below them.  By not being aware of what their employees are doing, they’re unaware of situations that could explode into crises, they don’t performance manage employees that stray – leading to resentment from those that don’t, and they have no idea of what the people below them actually contribute and what their strengths are.   When the disengaged boss is called out on it (usually by their superiors), they overcompensate by either micromanaging some situation that’s within their control (usually something insignificant), or they completely misread the situation (because they barely know what’s going on) and make things significantly worse.

Sometimes, these people bill themselves as a “fun boss,” which I’ve learned is a red flag.  People are either fun or they’re not.  The sense of fun that emanates from a naturally fun person comes from how they look at life and how they engage people, not from elaborately-planned “theme” activities, which seem more like work than the actual job you’re hired for.  If someone is trying that hard to have “fun,” they’re overcompensating for something they so clearly lack and trust me, they hate themselves.

This is a very bad type of boss and because these people are technically “in charge,” they’re given the benefit of the doubt far more often the employees who work for them.  Sadly, many of these employees either move on or are so demoralized by the time this type of boss is figured out, it takes lots of money and time to repair the damage that has been done by such people.

How do I know so much about this type of boss?  Because I was this kind of boss… to a certain degree.  Not as bad as Brent, but as much as I love the BBC version of “The Office,” I’ve only been able to watch it once … because it brings back too many bad memories.  Back in college, I became a DJ and “Director of Special Programming” for one of the campus radio stations.  Because I had a lot of enthusiasm and “can-do” attitude, the outgoing leaders felt I would make a good President and General Manager and encouraged me to run for the slot.  Being a sucker for flattery, I ran unopposed and got the position.  I was head of a campus organization that had between 40-50 members and yes, my 21-year old self felt like a real big shot.  Until … that is … I realized I not only had no idea what I was doing, but that I had no interest at all in doing the work of actually managing a group of 40-50 people.  Worse, I had no vision for what I planned to do to move the station forward in the year I was going to be in charge.  The fact that I ran unopposed should have clued me in to the fact that this was a very tough job no one else wanted.  At this point, if I had been smart, I should have seized this opportunity, given it a really strong try, and while I may not have always been successful, my heart would have been in the right place and I would have known I had done my best.

But I didn’t.  I retreated.  Even worse, I wanted everyone to like me and as everyone knows, when you try to please everybody, you please no one.  This was the worst type of approach with the leaders I led.  They were all good people, but many of them had VERY strong personalities, oftentimes in opposition to each other.  Getting all of these types of people swimming in the same direction would be a difficult task for any leader, but my approach, a combination of disengaging or trying to make everyone happy, was the worst possible combination.  Even worse, when I felt like had to be a “leader,” I overcompensated by micromanaging or browbeating.  I’m sure it’s no surprise that this approach did no good.

I could relate individual instances of incompetent leadership displayed by yours truly, but I won’t.  Not because I’m too prideful.  But because 99% of them are too banal and boring and not catastrophic enough to be awful/funny.  The best they would elicit is an eye roll, but most likely they would evoke “zzzzz”s.  They’re not even good enough for the reject bin for “Curb Your Enthusiasm.”  Except one incident does stand out.  Someone from the yearbook wanted to interview me and during the interview, I don’t think I provided a single intelligent answer to any question she asked.  They were softball questions and my answer to most questions were “Um, I’ll need to get back to you on that.”  It’s not that I didn’t know the answer.  It’s just that I only knew about 60% of what I was supposed to know … because I was THAT disengaged.

The one bright spot is that this horrible year happened when I was 21-22 years old.  This was while I was in school with no responsibilities other than my classes and yes, this leadership “job” I volunteered for and the people under me were not earning income and depending on me for survival.  Having this experience at the age of 35, married with kids, a mortgage, car payments, and with people who earn their living off of how I deal with them would have been considerably worse.  And yes, karma bit my ass good later in life by having a couple of bosses that were just like me and yes, it sucked … big time.

There have been managers and leaders I’ve had over the years that have been magnificent in their jobs, mainly because I felt they cared about me, knew what I was doing (without micromanaging), and supported me in what I wanted to do.  These actions of support made me want to make them look better.  I had their back because I knew they had my back.

I want to close by asking any one out there who’s thinking of going into management or leadership to really think about why you want to do it.  You don’t have to like or love what you do every day or even like or love all of the people that work for you.   And it’s OK to feel unsure or scared about whether you’ll make a good leader.  People should challenge themselves and stretch beyond their comfort zones.  But if you’re only taking a leadership position because of the prestige or extra pay, trust me when I say that you’re going to earn every penny … and you will probably find yourself shortchanged, especially given the personal hell you, your family, and your employees will go through.

“Pocket Pool” – Killer Pussy from “New Wave Theater”

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More highlights from New Wave Theater, this is the band Killer Pussy with their song “Pocket Pool.” You may not believe this, but their most famous song is called “Teenage Enema Nurses in Bondage” … which was actually a hit on LA’s KROQ-FM back in the early 1980s.

“New Wave Theater” from USA Network’s “Night Flight” circa 1984

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I discussed watching this seminal punk cable TV show in a previous Dave’s Strange World entry … along with the impact of seeing the Dead Kennedys doing “Holiday in Cambodia” on the show had on me personally. If you haven’t read it, you can catch it at the link below.  You will not only see the performance, but the post goes into more detail about the show and host Peter Ivers:

“Holiday in Cambodia” – Dead Kennedys (from “New Wave Theatre”)

However, since then, someone generously uploaded an entire episode of “New Wave Theater” broadcast sometime in the first half of 1984 from the legendary late-night USA cable network show “Night Flight.” This was broadcast right after host Peter Ivers’ untimely murder. For better or worse, commercials from the day were not edited out, so you can reminisce … or drag your mouse along the bottom of the visual to fast forward. To get the proper perspective of this, imagine watching this at 1:30 am, a little sleep deprived.  To say it was mind-blowing back in the day is coming up short.

“Tomorrow Never Knows” – The Bealtes

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In my opinion, the Beatles hit their peak with the 1966 album “Revolver” and “Tomorrow Never Knows” is the mind-bending track that concluded that masterpiece. I love the way the odd sound effects and distorted vocals blend so well together with a driving beat … in just under 3 minutes!  “Tomorrow” was recently used to great effect at the end of a particularly good “Mad Men” episode (“Lady Lazarus”) from season 5.

“Revolver” was their last album that wasn’t a self-conscious mess. Yes, the Beatles had a lot of great songs after 1966, but in my opinion, the ratio of truly great to merely good or worse songs got wider and wider. That period between 1965 and 1966, when they released “Help!,” “Rubber Soul,” and “Revolver” was their best.

I still don’t know why people claim “Sgt. Pepper’s Lonely Hearts Club Band” (the first post-“Revolver” album) is the Beatles’ best album, let alone “the greatest of all time.” Yes, its mixing and production were revolutionary for its time. But the actual songs (except for “A Day in the Life” which is legitimately great) are mediocre at best. To call “Pepper” a masterpiece for its production value is like saying “Titanic” is a great film because it cost a lot of money and had cool CGI. The cheesiest psychedelia from that period (and that includes The Strawberry Alarm Clock and Iron Butterfly) is way cooler that “Pepper” could ever hope to be. But I digress…