OK, this song is from 2010, but I just heard this tonight and it’s my favorite new song. Reminds me a lot of early Cheap Trick, with equal measures of “power” and “pop.” Without further ado, this is Atlanta, Georgia’s the Biters with “Hang Around.”
OK, this song is from 2010, but I just heard this tonight and it’s my favorite new song. Reminds me a lot of early Cheap Trick, with equal measures of “power” and “pop.” Without further ado, this is Atlanta, Georgia’s the Biters with “Hang Around.”
Most people know this by the terrific pop cover the Animals did in 1965. However, this was originally composed for jazz vocalist Nina Simone by Bennie Benjamin, Gloria Caldwell and Sol Marcus and Simone’s version … which is slower, bluesier, and more tortured-sounding … is a marvel to behold if you’ve never heard it before. The accompanying video that someone made on YouTube showing pivotal scenes of the American Civil Rights struggle during the 1950s and 1960s is particularly powerful in the context of the lyrics.
An incredibly moving and emotional scene from the Pixar animated film “Toy Story 2,” featuring one of Randy Newman’s best songs, sung by Sarah McLachlan. Yes, the characters are toys. Yes, I realize it’s some dire triumph of the Capitalist system to ascribe human feelings to otherwise inanimate objects. But I dare anyone not to watch this scene and not be moved. As I’ve said before, between 1995 and 2010 (15 years if you do the math), there has been no other creative entity that sustained a consistently high quality of films than Pixar did. Yes, they really showed their a– with “Cars 2.” But … here’s hoping they bounce back and start scoring classics again.
This song from Bob Dylan’s 1997’s album “Time out of Mind” has become a bit of a war horse, covered by by Billy Joel, Garth Brooks, Trisha Yearwood, Kelly Clarkson and Adele among many others. However, this cover by Bryan Ferry from his 2007 album “Dylanesque” is my favorite. There’s just something about how Ferry’s world-weary voice delivers Dylan’s simple and sincere lyrics that’s really remarkable.
A favorite of mine from the early days of MTV, this is a great (and sadly forgotten) example of 1980s mainstream rock. “A Fine Fine Day” managed to get into the top 30 of the Billboard charts back in 1984 and the video got a lot of play back in the day. The song is not only very good, the accompanying video is dramatically compelling as well. The mob-themed plot may not be all that original, but for a music video (especially from back in the day), it’s quite mature and adult. I’m surprised no one has thought to cover this. An exceptional, underappreciated gem.
I first heard this song via Cheap Trick’s very heavy cover during the opening of Jonathan Kaplan’s classic late 1970s troubled youth film “Over the Edge.” Up until recently, I had no idea that Cheap Trick’s version wasn’t the original until I heard this on a Terry Reid compilation I picked up because I had always been curious about Reid, but had never heard his stuff before. Wow! As much as I love the Cheap Trick cover, this poppier, but still very heavy original is really cool. For comparison purposes, I am including a link to the Cheap Trick version below. I’m going to wimp out and call it a draw. A great song with two awesomely different interpretations.
Everyone Alive – Local H
Teen Angst – Cracker
Can’t Leave Her Alone – The Godfathers
Chasing the Night – The Ramones
Everything Turns Grey – Agent Orange
Diner – Martin Sexton
Behind the Wall of Sleep – The Smithereens
You’re Gonna Get Yours – Public Enemy
Nasty Gal – Betty Davis
Bad Boyfriend – Garbage
Keep on Knocking – Death
The Girl Got Hot – Weezer
The Grooviest Girl in the World – The Fun and Games
Speaking in Tongues – The Eagles of Death Metal
I Am a Demon and I Love Rock and Roll – Sweatmaster
Hit the Beach – Hawaiian Mud Bombers
The Day John Kennedy Died – Lou Reed
I’m Losing You – John Lennon and Cheap Trick
Queen Bitch – The Hotrats
Van Lear Rose – Loretta Lynn (with Jack White)
Riot in Cell Block 9 – Flat Duo Jets
Miss X – MC5
Jesus at McDonalds – Mojo Nixon and Skid Roper
I’m Yours (Use Me Any Way You Wanna) – Ike and Tina Turner
Kick It – Peaches with Iggy Pop
Kiss Me Deadly – Lita Ford
Head On – The Pixies
What Goes On – Bryan Ferry
Don’t Think Twice – Mike Ness
Sick Boys – Social Distortion
F–kin’ Up – Neil Young and Crazy Horse
No Fun / Push It – 2 Many DJs
Young and Miserable – Outrageous Cherry
The Man – Patto
Well I … – The Candy Snatchers
Doggone It – Clarence Reid
Still in Hollywood – Concrete Blonde
Honey White – Morphine
Outcast – The Downbeat 5
Who Knows Where The Time Goes? – The Fairport Convention
Listen in here:
http://www.davesstrangeradio.com
Hawkwind’s lead singer Robert Calvert released a very good hard rock / comedy concept album around 1974 called “Captain Lockheed and the Starfighters.” “Ejection” was the single from the album and it’s coolness is off the charts.
If you dig that, please check out this outtake version from Hawkwind that’s now a bonus track on “Doremi Fasol Latido”
There’s also a cover by the New Bomb Turks that’s pretty bitchin’, but I can find it on YouTube. It’s on their singles compilation “Pissing out the Poison.”
When “Patience” was released as a single in the spring of 1989, I remember more than a few people snickering about how Guns n’ Roses were jumping on the metal ballad bandwagon with “a little something for the ladies.” And I remember being really pissed off at that assumption. Yes, “Patience” is in many ways a departure from the onslaught of “Appetite for Destruction” and it is a lovely ballad. But the song always struck me as really, really dark. Not so much for the lyrics, but for the stark way in which the song is recorded. The acoustic guitars slash (no pun intended) and sting at times and the echoey production sounds like it was recorded in a prison cell. Coupled with the very public knowledge about lead singer Axl Rose’s often troubled relationships with women, the song becomes less a reassurance to an insecure lover and more about the singer reassuring himself that everything will be OK, to ride out the fears and insecurity he is facing with someone he loves. Though I should point out the fallacy in making this assumption, since the song was composed by band guitarist Izzy Stradlin. Still, In my opinion, the song is the best thing the band ever did.
Brilliantly used in Martin Scorsese’s 1991 remake of “Cape Fear,” during a heated domestic argument between Nick Nolte’s and Jessica Lange’s characters that is straight out of “Who’s Afraid of Virginia Woolf?”
From the 1979 album “Join Hands,” this simultaneously frightening and delirious song about …. about … to be honest, I have absolutely no damn clue. All I know is that it involves a playground, screaming children, and a sense of dread that comes from someplace I’m not sure I want to know about. Those slashing guitars and swirling sounds are mesmerizing. Somewhere, Marilyn Manson is watching and taking notes.