“Don’t Let Me Be Misunderstood” – Nina Simone

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Most people know this by the terrific pop cover the Animals did in 1965. However, this was originally composed for jazz vocalist Nina Simone by Bennie Benjamin, Gloria Caldwell and Sol Marcus and Simone’s version … which is slower, bluesier, and more tortured-sounding … is a marvel to behold if you’ve never heard it before. The accompanying video that someone made on YouTube showing pivotal scenes of the American Civil Rights struggle during the 1950s and 1960s is particularly powerful in the context of the lyrics.

“When She Loved Me” – Sarah McLachlan / Randy Newman from “Toy Story 2” (1999)

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An incredibly moving and emotional scene from the Pixar animated film “Toy Story 2,” featuring one of Randy Newman’s best songs, sung by Sarah McLachlan. Yes, the characters are toys. Yes, I realize it’s some dire triumph of the Capitalist system to ascribe human feelings to otherwise inanimate objects. But I dare anyone not to watch this scene and not be moved. As I’ve said before, between 1995 and 2010 (15 years if you do the math), there has been no other creative entity that sustained a consistently high quality of films than Pixar did. Yes, they really showed their a– with “Cars 2.” But … here’s hoping they bounce back and start scoring classics again.

“Make You Feel My Love” – Bryan Ferry

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This song from Bob Dylan’s 1997’s album “Time out of Mind” has become a bit of a war horse, covered by by Billy Joel, Garth Brooks, Trisha Yearwood, Kelly Clarkson and Adele among many others. However, this cover by Bryan Ferry from his 2007 album “Dylanesque” is my favorite. There’s just something about how Ferry’s world-weary voice delivers Dylan’s simple and sincere lyrics that’s really remarkable.

“A Fine Fine Day” – Tony Carey

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A favorite of mine from the early days of MTV, this is a great (and sadly forgotten) example of 1980s mainstream rock. “A Fine Fine Day” managed to get into the top 30 of the Billboard charts back in 1984 and the video got a lot of play back in the day. The song is not only very good, the accompanying video is dramatically compelling as well. The mob-themed plot may not be all that original, but for a music video (especially from back in the day), it’s quite mature and adult.  I’m surprised no one has thought to cover this.  An exceptional, underappreciated gem.

“Speak Now or Forever Hold Your Peace” – Terry Reid / Cheap Trick

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I first heard this song via Cheap Trick’s very heavy cover during the opening of Jonathan Kaplan’s classic late 1970s troubled youth film “Over the Edge.” Up until recently, I had no idea that Cheap Trick’s version wasn’t the original until I heard this on a Terry Reid compilation I picked up because I had always been curious about Reid, but had never heard his stuff before. Wow! As much as I love the Cheap Trick cover, this poppier, but still very heavy original is really cool. For comparison purposes, I am including a link to the Cheap Trick version below. I’m going to wimp out and call it a draw. A great song with two awesomely different interpretations.

http://www.youtube.com/watch?v=qMeA0Vzs9BA

Tonight’s playlist from my ghost DJ session on Dave’s Strange Radio

Everyone Alive – Local H

Teen Angst – Cracker

Can’t Leave Her Alone – The Godfathers

Chasing the Night – The Ramones

Everything Turns Grey – Agent Orange

Diner – Martin Sexton

Behind the Wall of Sleep – The Smithereens

You’re Gonna Get Yours – Public Enemy

Nasty Gal – Betty Davis

Bad Boyfriend – Garbage

Keep on Knocking – Death

The Girl Got Hot – Weezer

The Grooviest Girl in the World – The Fun and Games

Speaking in Tongues – The Eagles of Death Metal

I Am a Demon and I Love Rock and Roll – Sweatmaster

Hit the Beach – Hawaiian Mud Bombers

The Day John Kennedy Died – Lou Reed

I’m Losing You – John Lennon and Cheap Trick

Queen Bitch – The Hotrats

Van Lear Rose – Loretta Lynn (with Jack White)

Riot in Cell Block 9 – Flat Duo Jets

Miss X – MC5

Jesus at McDonalds – Mojo Nixon and Skid Roper

I’m Yours (Use Me Any Way You Wanna) – Ike and Tina Turner

Kick It – Peaches with Iggy Pop

Kiss Me Deadly – Lita Ford

Head On – The Pixies

What Goes On – Bryan Ferry

Don’t Think Twice – Mike Ness

Sick Boys – Social Distortion

F–kin’ Up – Neil Young and Crazy Horse

No Fun / Push It – 2 Many DJs

Young and Miserable – Outrageous Cherry

The Man – Patto

Well I … – The Candy Snatchers

Doggone It – Clarence Reid

Still in Hollywood – Concrete Blonde

Honey White – Morphine

Outcast – The Downbeat 5

Who Knows Where The Time Goes? – The Fairport Convention

Listen in here:
http://www.davesstrangeradio.com

“Ejection” – Robert Calvert / Hawkwind

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Hawkwind’s lead singer Robert Calvert released a very good hard rock / comedy concept album around 1974 called “Captain Lockheed and the Starfighters.” “Ejection” was the single from the album and it’s coolness is off the charts.

If you dig that, please check out this outtake version from Hawkwind that’s now a bonus track on “Doremi Fasol Latido”

There’s also a cover by the New Bomb Turks that’s pretty bitchin’, but I can find it on YouTube. It’s on their singles compilation “Pissing out the Poison.”

“Patience” – Guns n’ Roses

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When “Patience” was released as a single in the spring of 1989, I remember more than a few people snickering about how Guns n’ Roses were jumping on the metal ballad bandwagon with “a little something for the ladies.”  And I remember being really pissed off at that assumption.   Yes, “Patience” is in many ways a departure from the onslaught of “Appetite for Destruction” and it is a lovely ballad.  But the song always struck me as really, really dark.  Not so much for the lyrics, but for the stark way in which the song is recorded.  The acoustic guitars slash (no pun intended) and sting at times and the echoey production sounds like it was recorded in a prison cell.  Coupled with the very public knowledge about lead singer Axl Rose’s often troubled relationships with women, the song becomes less a reassurance to an insecure lover and more about the singer reassuring himself that everything will be OK, to ride out the fears and insecurity he is facing with someone he loves.   Though I should point out the fallacy in making this assumption, since the song was composed by band guitarist Izzy Stradlin.  Still, In my opinion, the song is the best thing the band ever did.

Brilliantly used in Martin Scorsese’s 1991 remake of “Cape Fear,” during a heated domestic argument between Nick Nolte’s and Jessica Lange’s characters that is straight out of “Who’s Afraid of Virginia Woolf?”

“Playground Twist” – Siouxsie and the Banshees

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From the 1979 album “Join Hands,” this simultaneously frightening and delirious song about …. about … to be honest, I have absolutely no damn clue. All I know is that it involves a playground, screaming children, and a sense of dread that comes from someplace I’m not sure I want to know about. Those slashing guitars and swirling sounds are mesmerizing. Somewhere, Marilyn Manson is watching and taking notes.