“American Pop” (1981) dir. Ralph Bakshi

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“American Pop” is animator Ralph Bakshi’s immensely ambitious attempt at telling a multi-generational story through the musical ambitions of one family. Beginning in Russia at the turn of the 20th century and ending somewhere roughly in the late 1970s/early 1980s, “American Pop” chronicles American popular music from ragtime to punk. It’s one of the few cinematic attempts at creating a non-pornographic (but still R-rated) animated film for adults. Sadly, it wasn’t successful at the box office.

“American Pop” is one of those movies that I wish was better than it is. But what’s there is still extremely impressive. Bakshi’s use of rotoscope animation (where live actors are filmed and the animator creates images over the live ones) is still stunning to watch even over 30 years later.

For many years, it was not available due to rights issues over the extensive soundtrack (which ranges from Scott Joplin to Jimi Hendrix, to Lou Reed to Bob Seger). However, such obstacles were cleared in the late 1990s and the film is easily available on DVD these days. Here’s hoping a remastered Blu-Ray release is in the planning.

“Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen)” – Tom Waits

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It’s hard to pick what the best Tom Waits song of all time is. However, “Tom Traubert’s Blues” is the greatest in my opinion. A beautiful and sad variation on the Australian folk song “Waltzing Matilda,” “Tom Traubert’s Blues” is about the ravages of alcoholism. According to Bones Howe, Waits’ producer, the inspiration for the song came from a time when Waits “went down and hung around on skid row in L.A. because he wanted to get stimulated for writing this material. He called me up and said, ‘I went down to skid row … I bought a pint of rye. In a brown paper bag.’ I said, ‘Oh really?.’ ‘Yeah – hunkered down, drank the pint of rye, went home, threw up, and wrote ‘Tom Traubert’s Blues’ […] every guy down there… everyone I spoke to, a woman put him there.”

According to Waits, he used the melody from “Waltzing Matilda” because “”when you’re ‘waltzing matilda’, you’re on the road. You’re not with your girlfriend, you’re on the bum. For me, I was in Europe for the first time, and I felt like a soldier far away from home and drunk on the corner with no money, lost.”

The song was used brilliantly in the film “Basquiat” when Jean Michel-Basquiat learns that his mentor Andy Warhol has passed away.

“The Farting Preacher (aka Pastor Gas)” starring Rev. Robert Tilton

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This meme has been around forever, but in my opinion, it never gets old. Fart humor may be as lame as mother-in-law jokes, but when it’s done well, it can still be sublime. Apologies to Mel Brooks, but this makes the campfire scene in “Blazing Saddles” look like an episode of “Full House.”

“Exploding the Phone: The Untold Story of the Teenagers and Outlaws who Hacked Ma Bell” by Phil Lapsley

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Before Napster, before computer hacking, and even before the VCR, there were “phone phreaks.”  What, pray tell, are phone preaks?  The phone phreaks were a group of individuals back in the 1960s who figured out a way to make free long distance calls through manipulating the flaws in Bell Telephone’s and AT&T’s extensive national network of phone lines.   The tale of how many distinct and different individuals made their own “blue boxes” and “black boxes” to make phone calls is chronicled extensively in Phil Lapsley’s extremely entertaining new book “Exploding the Phone: The Untold Story of the Teenagers and Outlaws who Hacked Ma Bell.”

While Lapsley does go into extensive technical detail about how the different hackers learned to circumvent the system to make free phone calls, it’s never too much that you still won’t be riveted by the story.  The phone company went into a panic for obvious reasons, not only because their system which they spent billions creating was flawed and could lose them money due to hackers figuring out their system, but because the laws at the time didn’t expressly make such hacking illegal.  And, most tellingly, because the Justice Department and FCC at the time didn’t agree that current laws should be interpreted to prosecute such activity.  Hard to believe, but there was a time when the government was not quite the pathetic bitch to corporations as they are today.

“Exploding the Phone” is a fascinating cultural history of technology, law, and business and is especially relevant, given how this story seems to be repeated every time ordinary people figure out ways to exploit flaws in technology.

“Basquiat” (1996) dir. Julian Schnabel

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One of the best films about an artist’s life I’ve ever seen, as well as being one of the coolest films I’ve ever seen about any subject, “Basquiat” is a biopic chronicling the fast times and short life of legendary 1980s postmodernist/neo-expressionist painter Jean-Michel Basquiat. Basquiat created some brilliant (and highly commercial) art and also ran with a lot of famous people (Andy Warhol, Madonna, Keith Haring) back in the day. However, personal demons and drug abuse wound up getting the better of him and Basquiat died of a heroin overdose in 1988.

Jeffrey Wright does a terrific job in the lead role as Basquiat and leads an all-star cast that includes David Bowie as Andy Warhol, Gary Oldman playing a character based on director/artist Julian Schnabel, Michael Wincott as critic Rene Ricard, Dennis Hopper as art dealer Bruno Bischofberger, and Christopher Walken, Courtney Love, Claire Forlani, Benicio Del Toro, Tatum O’Neal in supporting roles.

“Basquiat” also boasts one of the coolest soundtracks of any film, featuring the Pogues, Public Image Ltd., Iggy Pop, Tom Waits, Charlie Parker, Melle Mel, the Modern Lovers, and Peggy Lee among others.

This was director Julian Schnabel’s directorial debut, a career that has led to great films such as “Before Night Falls,” “The Diving Bell and the Butterfly,” and “Lou Reed’s Berlin.”