From Terry Gilliam’s controversial 1998 film adaptation of Hunter S. Thompson’s classic novel “Fear and Loathing in Las Vegas,” comes Thompson’s beautiful … and sober … eulogy for the hopes of the 1960s generation. Yes, that’s Johnny Depp as Thompson’s alter ego Raoul Duke.
Monthly Archives: December 2012
“A Quick One” – The Who, as used in “Rushmore” (1998) dir. Wes Anderson
A positively brilliant use of one of the Who’s best songs in the splendidly droll Wes Anderson comedy “Rushmore.”
“The Joe Spinnell Story” (2001) dir. David Gregory
Like John Cazale, Joe Spinnell was one of the greatest and most recognizable character actors of the 1970s. Spinnell played pivotal roles in several 1970s film classics (“The Godfather,” “The Godfather Part II,” “Taxi Driver,” “Rocky,” “Big Wednesday,” “Cruising”) and was the star, co-writer, and executive producer of 1981’s “Maniac,” arguably the most notorious of all the early 1980s slasher films.
To say Spinnell was a “character” is an understatement. The man was a terrific actor and had a big heart, but was more than a little loony. Really loony. Apparently, John Wayne Gacy wanted Spinnell to play him if they ever made a movie about him. But as loony as Spinnell was, he was arguably, crazy like a fox at times. Reportedly, he was the second highest paid actor in “The Godfather” after Marlon Brando. He apparently made more money from “The Godfather” than Al Pacino, James Caan, Robert Duvall, and Diane Keaton, even though he only had a minor role. Why? He asked Francis Ford Coppola if he could hang out on the set when he wasn’t working and Coppola agreed. Since Spinnell was a SAG actor, he was logged in as “working” every day he was on the set. As a result, he collected a huge paycheck and collected huge residuals from what was then, the biggest box-office hit in movie history. As they say, nice work if you can get it.
“The Joe Spinnell Story” is a terrific documentary that was sort-of thrown away as an extra on the “Maniac” DVD. However, the entire documentary is available on YouTube. If you’re a fan of 70s cinema or cult cinema in general, this documentary is a must-see.
“I Knew It Was You: Rediscovering John Cazale” (2009) dir. Richard Shepard
Not many people remember the late actor John Cazale by name. But you would instantly recognize him by the amazing characters he played (Fredo in the first two “Godfather” films; Sal, the quiet, but scary bank robber in “Dog Day Afternoon”; and Stan, the loudmouth macho-wannabe ne’er do well in “The Deer Hunter”). He was only in five feature films, before he died tragically of bone cancer in 1978. But every one of the films he was in (“The Godfather,” “The Godfather Part II,” “The Conversation,” “Dog Day Afternoon,” and “The Deer Hunter”) was nominated for a Best Picture Oscar, three of which actually won the top award.
“I Knew It Was You: Rediscovering John Cazale” is an-all-too-brief, but great documentary about one of the best character actors in film history. The fact that so many great actors (Al Pacino, Robert DeNiro, Meryl Streep, etc.) made it a point to be interviewed for this film is a testament to Cazale’s legacy.
Trivia note: the film was released by the late Adam Yauch’s (MCA of the Beastie Boys) fantastic indie studio Oscilloscope Laboratories.
“Nobody’s Fool” (1994) dir. Robert Benton
https://www.youtube.com/watch?v=QKYsA2-_uk4
My favorite film of 1994 (aside from “Ed Wood” and “Pulp Fiction”) is Robert Benton’s comedy-drama “Nobody’s Fool,” based on Pulitzer Prize winning author Richard Russo’s 1993 novel. Paul Newman plays Donald Sullivan, a sometime-construction worker who has a lifetime of mistakes and screw-ups in his history. When his son and grandson come back into his life, he has a chance at redemption. Despite the sitcom-like nature of the trailer, the movie is actually much deeper and more resonant, without being heavy. It’s a movie I always put on when I’m in a foul or depressed mood, because all of the characters (with one or two exceptions) are fundamentally decent people, deeply flawed as they are. This is one of Newman’s five best performances and the supporting cast, from Bruce Willis to Melanie Griffith to Jessica Tandy to even Philip Seymour Hoffman in an early role, are terrific.
I loved this movie when I saw it in January of 1995, but “Nobody’s Fool” has gained special resonance for me over the years, because I wound up living in the village where this movie took place (renamed North Bath for the film) for 8 years. I didn’t even realize this until a year after I moved there, but everything about the look of this film and town positively nails the quirky, but memorable upstate NY place I once called home.
“Ignoreland” – R.E.M.
https://www.youtube.com/watch?v=_5pOmb7QbUM
Another great track from R.E.M.’s superior 1992 album “Automatic for the People.” This was a minor hit back in the early 1990s, but isn’t played that much these days. Apparently, R.E.M. didn’t like the mix on the album and … well … ignored playing this for several tours, until 2008, when they played it in Vancouver, BC on their “Accelerate” tour. R.E.M. is entitled to their opinion, but I always loved this song.
“Gris Gris Gumbo Ya Ya” – Dr. John
Before Dr. John hit the pop charts with “Right Place, Wrong Time” and started lovin’ that chicken from Popeye’s, he was the Night Tripper. This song, from his 1968 debut album “Gris-Gris” has a deceptively mellow vibe, but don’t toke up or take anything stronger while listening to this… this will send you on a seriously bad paranoid trip. Amazing, sinister jazz/blues from hell.
Quentin Tarantino interview (Howard Stern Show, 12-5-2012)
https://www.youtube.com/watch?v=SVo8WfALdaY
Tarantino promotes his upcoming film “Django Unchained” on the Howard Stern Show. Like most of Tarantino’s films, the 74-minute interview is shocking, hilarious, profane, politically incorrect, and most of all, fun. Not only is Tarantino a great guest, but Stern proves once again he’s one of the best interviewers around. As you can imagine, not safe for work or little ones.
“Dazed and Confused” (1993) dir. Richard Linklater
Of all the high school movies I’ve seen (good and bad), “Dazed and Confused” is the closest approximation to what I actually experienced. No, not because of the smokin’ and tokin’ or ritualized hazing. But more because the film is arguably the least sensational film ever made about teenagers.
Think about it, half the movies about teenagers are either leaden with doom and gloom (“Rebel Without a Cause,” “Kids,” “River’s Edge”). The other half portray teen life to be a non-stop hedonistic Bacchanalia of sex, drugs, booze, etc. While the characters in “Dazed” certainly party, the party in question is just a simple beer bash with one keg where the usual things happen: some people get into fights, some people hook up, some people act like fools, though most of the partygoers don’t do any of these things. At the end of the party (when the booze runs out), most people go their separate ways and that’s that. Nothing life changing happens, no character dies to show us that “partying is bad,” nobody gets laid and becomes a different person, and interestingly, no sense that this party changed any lives, good or bad. It’s just … over … and on to the next day.
The next time you watch “Dazed,” carefully look at the way it’s edited and shot. While the film has a lot of comedic moments, there’s an odd sense of dread permeating the entire film. Canadian film critic Robin Wood was the only person to describe it as a horror film and Linklater apparently wrote him a personal “thank you” note for noticing this. The dread that I get from “Dazed” has more to do with the sense that what lies ahead may not be as cool as the characters think it will be. There’s a lot of sequences that are shot in slow motion with sound mixing that doesn’t look anything like you’d see in a comedy. In my mind, the sense that nothing ever changes and/or necessarily gets much better is horrific enough for Linklater, that showcasing a death or OD or some other traumatic event would be overkill.
The other interesting thing (and why it reminds me so much of my youth), is the distinct lack of rigid divisions between cliques. Certainly, cliques exist in both “Dazed” and the high school I went to. But most people I knew may have belonged to a certain group, but most mingled freely with others. A lot of high school films, from “Mean Girls” to “Heathers” to most of John Hughes’s oeuvre portray a caste system worse than India’s and maybe that’s true for some schools, but it wasn’t my high school experience. Maybe I’m seeing a rosier past that I actually experienced, but I remember seeing “The Breakfast Club” and “Pretty in Pink” when I was a teenager, and while I could identify with certain things, a lot of it seemed like alien territory to me.
The attached trailer gives a decent flavor for the film, but it’s regretful that it’s played up like a Cheech and Chong comedy. Granted, I wouldn’t know how to market this thing either (complex works of art usually are), but I think the advertising campaign gave a false idea of what this movie was and I think this is why it took a LOOOOONG time to find an audience. Thankfully, it did.
“Compliance” (2012) dir. Craig Zobel
Video
One of the best and creepiest films of the year is Craig Zobel’s indie drama “Compliance.” Based on a stranger-than-fiction true story, the film is about a manager at a fast food restaurant who receives a call from someone who says they’re a police officer. The caller says that one of the employees has stolen from a restaurant patron and that the manger needs to detain the employee until the police arrive. Through verbal manipulation, the caller has the manager (and others) perform an increasingly bizarre, disturbing, and illegal series of activities on the employee.
“Compliance” has garnered a lot of praise … and a lot of walkouts. Many people can’t believe that others would be so stupid, that they would commit heinous acts because someone who sounds like they’re an authority figure told them to. But they do. And it happens more frequently than you would think. “Compliance” is based on a real case that happened in 2004 in Kentucky, and what happened is actually not an isolated occurrence. It’s called the “strip search prank call scam,” and there’s loads more details at this Wikipedia article:
http://en.wikipedia.org/wiki/Strip_search_prank_call_scam
As for the film, Zobel has done a solid job showing how this sordid series of events went down. Actress Ann Dowd, who plays the manager, has already won Best Supporting Actress from the National Board of Review for her performance. This was also one of director John Waters Ten Best Films of 2012.