One of the funniest and creepiest movies of the last decade is Paul Schrader’s corrosive biopic of the late “Hogan’s Heroes” star Bob Crane. Crane was what we would now describe as a “sex addict,” whose obsession and weird friendship with a man who shared that lifestyle with him (as the film alleges) ultimately killed Crane. What’s interesting about “Auto Focus” is how director Schrader so accurately depicts a man with absolutely zero self-awareness. As Schrader put it in a terrific interview with Uju Asika on Salon.com when the movie was released: “… when I’ve dealt with characters like this before, these existential loners, they tend to be introspective. They don’t get it, but they’re trying to figure out how to get it. The interesting thing to me about Crane was that he was not only clueless, he was clueless about being clueless. And I think his greatest flaw wasn’t sex, it was selfishness. Hence the title. I don’t think he understood or appreciated how his actions affected other people. It was just sort of blithe egoism. So the challenge then was to try to make a film about a superficial character that wasn’t a superficial film.” He also described Crane and his partner-in-crime John Carpenter: “You take these kind of Rat Pack guys who have to trade in their narrow ties for beads and bell bottoms in order to score chicks. But of course they remain the same sexist jerks they always were. It’s a fascinating period in American male sexual identity.” In my opinion, Schrader’s best film as a director, slightly edging out 1978’s “Blue Collar” and 1979’s “Hardcore.”
Monthly Archives: September 2012
“Say Man” – Bo Diddley
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One of the first examples of “playing the dozens” in a pop song. The jokes here may be corny, but they’re still pretty damn funny.
“My S–t’s F–ked Up” – Warren Zevon
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Terrific modern blues by the late, great Warren Zevon. I’m sure anybody over 40 who dreads their annual physical can relate.
“Crying” from the 2001 film “Mulholland Drive” dir. David Lynch
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http://www.youtube.com/watch?v=je6L2clZOGM
The emotional highlight from David Lynch’s 2001 masterpiece “Mulholland Drive,” this is a cover of Roy Orbison’s “Crying” sung entirely in Spanish by Rebekah Del Rio… and it’s devastating within the context of the film. “Blue Velvet” is my favorite Lynch film, but I have to admit that “Mulholland Drive” may actually be his best, a movie that never ceases to astonish me with its depth and meaning.
“Oh Mary” – Neil Diamond
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Here’s one that may come as a shock to most of you. A simple, beautiful, soulful ballad by one of the most popular … and underrated … singer / songwriters of all time. Neil Diamond is a great singer / songwriter undone many times over the years by his bad taste in arrangements and Vegas-y style. If you want to hear the most comically awful cover of all time, check out Diamond’s Vegas-y cover of “I Dreamed a Dream” from “Les Miserables” … a song that should not only never be sung by a man, let alone in studly Sinatra-style fashion, but when you change the devastating last line of the song into something more “positive,” you’ve completely destroyed it.
Yes, I do enjoy Diamond’s bad taste stuff on one level (as do millions of others, ironically and non-ironically, who are devout fans). But Diamond’s album “12 Songs,” that he recorded with legendary producer Rick Rubin in 2005, makes me hate the fact that he ever put a sequined shirt. The arrangements are subtle and dignified.This is a beautiful, heartfelt, moving album of songs that highlights Diamond’s amazing voice, Just as he did with Johnny Cash, the Dixie Chicks, and many others too numerous to mention, Rubin has a knack for distilling what’s great about a performer, cutting out the bulls–t, and allowing people to be their best. Rubin’s collaboration with Diamond is an out-and-out masterpiece.
“God Give Me Strength” (from the 1996 film “Grace of my Heart”) dir. Allison Anders
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http://www.youtube.com/watch?v=ese5A8Y-Sdg
This film appears to be based on Carole King’s life … but not exactly. Because writer-director Allison Anders did a very smart thing when she came up with “Grace of My Heart.” Instead of going the straight biopic route … and getting raked over the coals for fudging details of what actually happened to keep the story moving, she fictionalized her account. This way, she could create composites of people, tell a compelling story, and keep people focused on her film. And, instead of trying to buy the rights to all of the great songs from the Brill Building era (which would have been cost-prohibitive), she hired the composers of that period (Burt Bachrach, Gerry Goffin, etc) and teamed them up with Elvis Costello and others to write new songs. This was another incredibly smart move, because not only are the new songs terrific in their own right, but having the old songs would have further distracted audiences from the narrative.
Anders script and directing are terrific. There’s loads of great actors in this film (Eric Stoltz, Matt Dillon, Patsy Kensit, Bridget Fonda, John Turturro), but Illeana Douglas towers above them all in the performance of her career as the lead, Edna Buxton. She should have copped an Oscar nomination for this. Unfortunately, even though Martin Scorsese was Executive Producer, the film was released by Gramercy Pictures (the mini-major created by Universal Pictures and Polygram Films), who botched the release of a lot of terrific films of the period (“Dazed and Confused,” “Mallrats,” “Bound,” “Kalifornia”) that are now considered classics. When they had the occasional hit (“Four Weddings and a Funeral,” “Fargo”), it seemed purely accidental. But I digress …
This is the musical highlight of the film, in my opinion. “God Give Me Strength” was written by Burt Bachrach and Elvis Costello and is sung by Kristen Vigard (Douglas is lip-syncing).
If you want to hear a great podcast about this film, check out The Projection Booth’s episode on this film. It’s really terrific.
http://projection-booth.blogspot.com/2012/04/episode-60-grace-of-my-heart.html
“I Need Somebody” – Iggy and the Stooges
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Blues from hell, served burned to a crisp.
“Baja” – JFA
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Legendary skate punk band JFA record the legendary surf instrumental by the Astronauts. There’s a thin line between a skater and a surfer and that line is usually known as a driver’s license. Still, this one of the standout tracks from their “Valley of the Yakes” album.
“Brown Sugar” – Little Richard
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Seriously, please turn your irony detectors to “stun.” I’m not about to point out every point of strangeness about this cover. Everything you could begin to say about this has already been thought of by yours truly. And I would say you’re absolutely right, but I can’t quite hear you, because this cover is so damn awesome. Recorded during Little Richard’s severely underrated late 1960s-early 1970s Reprise Records period.
“Bonin’ in the Boneyard” – Fishbone
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One of the best concerts I’ve ever seen was Fishbone back around 1990 or 1991 in Charlottesville, VA. The venue probably had way more people than what was legally allowed and the concert began with the lead singer being carried from the back of the venue to the stage while he sang. Once on stage, the lights were blinding and the music, extremely loud. Everyone was either drunk or stoned and dancing their asses off in every way imaginable. A really fun and energetic experience. I remember the wood walls of the venue sweating. “Boneyard” was the song I remember being really bringing down the house and was so loud, I thought the roof was going to tear off. A great band that doesn’t get the credit they deserve.